Page 2 of 5

Satan’s Rock

Part Four

An Invitation

Petergunn2:   Hi Mel!  

Melatrix:     Hi Babes – feeling better?

Petergunn2:  Yeah – sorreeee.

Melatrix:    Cool!   Favour 4 me?  JJJ?

Petergunn2:  Ask and it shall b given – if it doesn’t cost me.

Melatrix:    Remember that photo I took of u?   On the prom last Easter?   Can u mail it me?  I have some ideas.

Petergunn2:   WHAT ideas?

Melatrix:     OK, don’t worry then.   Like I care?

Petergunn:   Yeah, right. Look in your inbox.  And Mel?  Don’t give me lizard feet this time!

Melatrix:     Ta babes.

In the privacy of her room Melanie could, and sometimes did, cry hopelessly in those weeks and months when she knew her mum and dad were preparing to part.   Peter helped her.  He had a way of making the day easier to face.  When her father finally left and she missed him and the things she had share only with him, she told Peter those things, and Peter found the words to comfort her.  Tonight, as she played idly with the picture of her friend, morphing his image this way and that, she was reaching a time in her life when she was beginning to wonder just how important he was to her.    

#

Peter had no idea what thoughts drew him across the causeway towards the rock on the morning following his exams.  A prospect of two free periods at class would not be justification enough, nor would the wafted guitar music announcing that Vincent, the Rock’s incumbent mansion owner was at home, have sufficed.  Faint strains from a succession of old songs, they were, middle-of-the-road stuff from the sixties and seventies:  “Brown Sugar”, “Maggie May”, “Aquarius”: they had a magical quality, so that when the final notes died away there was a feeling of loss,  but they would still have failed to turn his feet in their direction.  He had heard them too often.

If he tried to form a picture in his head of the ageing rock star who played them, perched up there on the ramparts of Crowley’s fantasy castle, the images were faded and confused.  They lacked the clarity of his younger years when Vincent had first come to Levenport.  Then he had lain in bed at night for wakeful hours, just imagining.  This morning his academic prospects, the pictures of his future, concerned him more.   Yet here he was.  Why?

It had seemed no time at all before he came upon that seagull.  It had perched, motionless, with one wing partly extended, on a piece of driftwood sticking out of the sand, apparently sunning itself.   The diamond-mark was clearly visible on its neck, the same hard eye watching him as he wandered toward it.

“You liked the music?”  Asked the seagull.

“You’re not real.”  Peter accused him.

“I said, darling chap,” The gull repeated slowly; “Did you like his music?”

The words are forming inside my head, Peter thought.  Is this how schizophrenia starts?

“It’s all right, dear, you don’t have to speak if you don’t want to;” the seagull said testily.  “He wants to meet you.  Come on!”  

And with a few lazy wing-beats it was sky-borne, arrowing through wheeling flocks of its brethren towards the rock. There were a hundred gulls over the bay that morning yet the bird’s identity was never in doubt, for while the others dived, turned, soared upon the breeze, the diamond gull’s direction never varied.   When it perched, a tiny white fleck, atop one of those ludicrous Bavarian towers, Peter saw it clearly, even fancied it may be beckoning to him:  the words “Come – now!” rattled in his head with jangling insistence.

“Alright – I’m coming!   Shut up!”  He reprimanded the bird, forming the words in his mind.

“Oh!   Hissy-fits now!   So sorry!”

What?

So without real justification other than an imagined conversation with a seabird he found himself wandering through a hamlet of fishermen’s cottages that adorned the man-made platform at the foot of St Benedict’s Rock.  The builders of The House had created this platform to assist their labours:  the cottages had sprouted like fungi from it after the carpenters, the masons and the forgemasters left.   Once, the fisher people had populated its quay with boats.  Just two remained, scarcely seaworthy fishing smacks, their rotting hulls slapping and gurgling in the oily water.

 Throughout all of his sixteen years Peter had come to the island maybe five times.   The aggressive wildlife which inhabited the place was kept in check by Levenport’s council; its lurid history of warriors and monks with pagan rites was largely forgotten.  There were holiday lets on the rock, although, perhaps because it was so far removed from the hub of the town, tenancies were rare.   Certainly a necrotic air hung about the tiny houses with their peeling paint, clustered mushroom-like around echoing back-lanes. The rock frowned darkly overhead, depriving them of sun.   Lichens dripped in the cold dampness.   An unkempt dog snuffled by.

Peter, (already doubting the moment of unhinged reason that had brought him here), strode quickly through the little street, anxious to be free of its chill.   But if he had hoped for better from the road which ascended the rock itself he was to be disappointed; for although the narrow path that had long ago led teetering Benedictines to their lofty cells had been widened, burrowing in places into, and in one case through, the sheer basalt, the ocean breeze howled icily of ghosts of the past, dredging up shuddering memories of misery and murder from resources within Peter’s mind.   Around each new bend shades of marauding Vikings lurked: cold monks drifted by, their empty faces set in grim smiles: Quimple the mad architect’s flailing body plummeted past on its fatal fall.

Three small dwellings clung to the landward side of the rock, optimistic summer rents – no-one would winter here.  The first, a fresh-painted Hobbit House, leaned precariously from amid a tangle of greenery, bushes planted in imported earth which made some attempt to soften the stark angles of the stone.   Above it, on the opposite side of the road, two further hovels had fared less well.   Wedged against the rock itself, they awaited final destruction with roofs agape and walls crazed by ominous cracks.   Black windows, their glass long gone, stared sightlessly towards the shore.  It was many summers since anyone had sacrificed their vacation to these.

After climbing westward for almost a half-mile Crowley’s road cut through the rock in a tunnel sufficiently high for a coach and horses, with coachmen aloft in the prevailing fashion, to pass. Dim electricity lit this burrow from algae-green lantern glass recessed in the walls. Peter hurried through, fearful of the shadows it contained and a little revolted by the very specific graffiti daubed over its sides.

Emerging from the tunnel he might have thought of  himself as entering a different dimension. The island’s south side was brighter, sunnier.  Here the road turned first south, then east, rising upon a gentler slope through wild meadow with trees below him to his right, among which were several compact cottages, all well cared-for and one or two obviously occupied.   As he walked by the front yard of one of these a little girl was engrossed in a kind of skipping game: she grinned at him as he passed – a pretty, vacant grin that somehow spoke of more than greeting.  He scuffed his shoes, a self-conscious “hello” playing around in his throat. A little way behind the houses, screened from the  road by trees, the land fell away in great cliffs to the sea. Above the road on the left clumps of wild rhododendron obscured Peter’s view of the summit and the house which topped it.  Further up, at the road’s final turn, a solitary white-washed cottage was the only sign of habitation.  It was a really small house, maybe one room upstairs and one down, with a lean-to shed on the back.   Gingham curtains in the windows spoke of bygones, their torn dirtiness told of neglect.   A tin bath, an axe, several garden tools hung along the lean-to wall in an orderly rank, though, and the large garden running downhill from the rear was well cared for.

“Now what be you doing ‘ere?”   The voice was amiable and slow, but it alarmed Peter enough to stop him in his tracks.

“I’m going to The House.” He turned to address a full-figured man standing at the cottage door, regarding him with a bland expression.   He noticed with passing interest that the man had no trousers on.

“Are you now!”   This wasn’t a question.   The man hoisted at sagging, stripey underpants.   “What makes you think you can go there?”

Peter thought quickly.  “I’m invited;” he said – which was true in part, at least.

“Are you now!”   The man repeated.  “Who do you be, then?   You got an ‘ppointment?”

“I was asked to come this morning,” He refrained from admitting his invitation had been issued by a seagull.  “I’m Peter Cartwright.”

The man was silent for a moment, while he appeared to chew upon something: ‘Maybe I disturbed his lunch’,   Peter thought.

“Are you now!   Peter Cartwright, eh?”  Peter got ready to run.

“Well, you carry on now, young Peter, you’m expected, you are.   Tell them at the gate they’re to let you past.  Tell ‘em Toby said so.”   The man turned to re-enter his cottage, adding for information: “I’m Toby.”

Toby closed the cottage door behind him, leaving Peter rather wishing he had not seen the back of those underpants. 

Expected?  How could he be ‘expected’ when really a spur-of-a-moment decision was all that had brought him here?   Did that remarkable bird talk in the heads of other people too?   Peter considered himself a logical sort of person, not given to impulses, and this was just so, so impulsive of him!   Perhaps if he turned back, now…

But he had come so far; and if he did turn back, well, then he would forgo the very slender chance, if he somehow was invited, to meet the wild guitarist whose sounds filled him with so many special feelings,and to get to see the inside of The Great House, the Crowley House, a place he had ached to explore ever since he was a small child.   Hidden still from his sight, he nonetheless knew that the gatehouse was just around the next bend.   So, gathering his courage, and with the feeling that his whole life was approaching an irrevocable moment of change, he walked on.

The gatehouse had lost its three Imperial Russian domes the night old Crowley died: one completely removed by the storm, the others unsafe and demolished shortly afterward.   They had never been replaced, so what now stood before Peter, whilst imposing enough, was a gatehouse of relatively modest and sober proportions, where a moderately modest and sober gatekeeper waited for him behind a pair of modern wrought-iron gates.   This smiling, fully-trousered figure greeted Peter with a friendly: “Hello old boy, what brings you to us?”   He sounded like he had been an officer in the army, but his hair would have better befitted a roadie.   “Can I announce you?”

“Hello, I’m Peter.”  Said Peter, feeling somewhat reassured:  “Toby says you’re to let me through.”

“Righto!”  The gatekeeper picked up a telephone from a box on the wall, waiting for a second or two before the line opened at the other end, then saying: “Vincent, someone quite youthful called Peter is here…”   He glanced in Peter’s direction, whispering: “Peter who?”

“Cartwright.”

“Peter Cartwright.  Are you expecting him?”

The voice from the other end was an explosion of sound, which the gatekeeper, with a chuckle, played six inches from his ear.

“You can go on up;” he told Peter, “I think he’s going to like you.”

Beyond the gate, a driveway led through a walled garden with perfectly trimmed lawns to the house itself, a brick-built curved regency façade of three storeys with rows of high windows to welcome the sun.   Its walls were crenulated at roof level, as if to repel some enemy or another, while at each end the slim rocket-tubes of Bavarian towers sprouted like forced asparagus.   Splurged exuberantly into the centre of the facing wall were the great black timber doors of the house, twelve feet in height; these in turn dwarfed by a huge arch, inset with carving and glass of every imaginable colour.   Peter had never seen this view of St. Benedict’s House, which his father dismissed as a ‘half-arsed mosque’, and had to search for his own description of its outlandish marriage of styles.   ‘Disney plays Royal Crescent’ was all he could come up with.

He had almost reached the doors at the centre of the Arabian Arch when, with a clank of metal which made him jump and a somewhat musical grinding noise which made him cringe, they swung open.

         Before him a vaulted hallway of palatial proportions rose to the building’s full height, culminating in a vast dome of glass.   To right and left the sides of this space were formed by the galleried ends of each floor of the house, linked at their further extremity to a perfectly oval glass stairway, railed with chrome, which ascended to each landing in turn.   Central to the back wall, behind the stairs, a huge portrait of a rock star playing on a darkened stage exuded Vincent Harper’s presence: and in the centre of the pink marble floor of the hall stood the man himself.

“Peter! Mate!  Are we glad to see you!  I was beginning to think you wasn’t coming, you know?”

© Frederick Anderson 2021.  Unauthorized use and/or duplication of this material without express and written permission from the author is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Frederick Anderson with specific direction to the original content.

Image Credits: Header picture by Mohb Zuber Seifi from Pixabay

Guitarist by Clk-Free Vector Imaging from Pixabay

Siobhan

A short story that got lost somewhere…

Ade’s walk was furtive, feet scratching at the pavement, eyes downcast.  Sometimes when he walked this pavement he would direct his gaze to shop windows, watching himself go by – but not today.  Sometimes people stared at him, their faces masked in suspicion at the Asian youth with his imperfect skin and his hangdog stride.  Was he rabid?  Whatever he had, could it spread to them?

No!  No man, not that.  You don’t catch my disease:  what ails is inside me, internalized; and I have no doubt who gave this thing to me – it was you.  All of you!

You made her hate me!  You made her turn me down!   You did it by hammering her with that connection – bad; Asian.  Asian, bad.

I saw the look he gave me, man!  Her father, yeah?  What am I doing soiling the air next to his daughter?  What right have I, like, to walk beside her, or dream of loving her, yeah?   I’m just a guy, you know?  A guy in the wrong skin.

Since that first sweet exchange of smiles a year ago Siobhan’s remembered image was never far from Ade’s mind.  He had printed her name on his heart.  Each morning he wakened to the memory of her pale skin, the almond of her eyes, her feline grace, her gentle voice.  The way her cheeks flushed when he told her how he felt, the little shake of her head when she laughed.  Siobhan, always there.  

He increased his pace, skulking  through the gauntlet of High Street commerce, glaring.  Its garish displays glared back, windows drooling with blatant western fat.  The dresses that were made by people, his people, working in conditions unfit for dogs and wages that barely kept them alive: the mannequin waiting to be dressed. 

 Just left like that – disgusting, man!  

Western wealth, everywhere, oozing down the greasy streets, exuding from the fat pores of the godless whiteys who rushed by him in their pursuit of more – money, more gratification, more, more, more.

Her father had ended it.  Ade, trying to do the honest thing, the honourable thing:  “Sir, I love your daughter.  I love Siobhan.”  

He had seen the man’s face close up as he said it, knew it was over, even then.  Siobhan had cried when he tried to look at her, shook her head, hopelessly.  That was a week ago.  He had seen her since, accidentally, on the street, like their first meeting.  Just once.  No smile then.  Not even a glance.  She had passed him by as if he did not exist.  Her old man had been getting at her.  He’d turned her against any thought of loving an Asian.

So that was why – why he was here.  And it wasn’t just about her father, about Siobhan.  It was about all the years of being different because his speech and his color made him so.  It was about a kind of hatred that was soul-deep, a burning need to right something that was horrible and wrong.  

His footsteps had led him from the High Street to the park, through its grand, pretentious gates into the green solace beyond.  A favourite place this, balm for his troubled soul, somewhere he could rest on a favourite seat, watching the foraging of the city birds and playing his music.  

He was tired now.  He had worked late into the night, preparing everything, making absolutely sure he had done it right.   And now he had five minutes to himself, when he could relax on the wooden bench he always used, and breathe the air he so needed.  He checked his smartphone.   Exactly five minutes.  

One for the brothers, man.  For the ones who died for the fight.  

“Ade?”

A voice that brought all the sweetness of white magic to his ear: Siobhan’s voice.  He was dreaming again.  “Siobhan?”

“Yes.  How are you, Ade?  I’ve been thinking so much about you.”

He was dreaming, wasn’t he?  But no, she was real.  Siobhan, leaning on bare forearms over the back of his seat with her cheek so close he could catch the scent and the sound of her breath.    

“I been okay, yeah?” He stammered.  She brought the wanting back; yet for a minute he could not believe it – believe her.   “What, you talking to me now?  You’re dad won’t like it, will he?”

“Look, Ade, I’m so, so sorry.  My dad, he’s a prejudiced old man, and he just doesn’t understand, you know?”

“Yeah well, he got my number, didn’t he?  He got you so you don’t speak, Siobhan.  You walk right by me, girl.”

“I know, I know.  I had to do some hard thinking.  But I couldn’t imagine, like, seeing you every day,  after he hurt you so bad.  And this morning I made up my mind, because I miss you so, and I just want to be with you, Ade.  With you.”

“But he’s your dad, isn’t he?  He rules.  I got no chance, Siobhan—no chance!”

“What, I should, like, spend the rest of my life with my dad?  I told him this morning:  if he doesn’t accept you he can go boil himself, right?  Hey, you crying, or something?”

“It’s because, yeah?  Like this is so… ”

Siobhan pressed her finger to his lips to quieten him.  “It’s alright, Ade; it’s all right.  I was going to come and see you tonight, but then I saw you in the Mall sitting by that planter thing and it was like:  shall I – shan’t I?  And I followed you here.  I couldn’t wait to be with you again, Ade.  I love you so much!”

One minute.  It had all gone so wrong, Ade thought.   But he was happy beyond measure because Siobhan was with him, and he loved her at least as much in return. As for the rest…

She asked: “Anyway, Ade, what were you doing in the Mall?  You don’t usually go there in the mornings.”

And he said lamely:  “Oh, nothing.  Just hanging.”

“Shall we walk to college together?”  Siobhan squeezed his arm, easing him gently to his feet.  “I tell you, you’re lucky I’m here to look after you, Ade, you’re that absent-minded sometimes.  Guess what I’ve got here?  I picked up your bag, mate.   You left it behind under the planter – in the Mall.”

© Frederick Anderson 2021.  Unauthorized use and/or duplication of this material without express and written permission from the author is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Frederick Anderson with specific direction to the original content

Image Credits:

Featured Image by Free-fotos from Pixabay

Mannequins by s. Herman and P. Richter from Pixabay

Satan’s Rock

Part Three of Conversations

Quimple

What could have befallen Toqus?  Peter’s mind had already lost itself – his nightmare examination of the afternoon, European History and the dusty room with the dusty, pacing invigilator – all gone.  The history which had fascinated him since he was first old enough to read was written in local history books.  The bricks and mortar of Levenport, its traditions, superstitions, atrocities and victories, all laid out around him.  The Rock – St. Benedict’s Rock, sometimes reputed to be inhabited by Satan himself – that loomed above them all, loomed large in his vision now.  Callow youth, chin on hands, fingers gripping the cool steel of the handrail, the retreating tide singing to his question in ripples among the stones.   Toques, the manservant who never left Crowley’s side, where did he go?   That seagull, gripping the rail likewise a dozen yards away, remained inscrutable.   

“How would you know?”  Peter murmured.   The gull cocked its head.  “Do seagulls talk about history at all?   In the evenings, maybe, perched up there on the ridge tiles, before the kebab shops open?”

The bird fluffed a few feathers as an adjustment, clucking awkwardly, as references to its scavenging lifestyle were obviously discomfiting.

For several years following his memorable dip in the Levenport waters, Horace, Lord Crowley did nothing about the rocky island that was his royal gift.  During these (it should be said) quite happy times for the town of Levenport, ownership of its rock was a matter of no concern: a trickle of rent flowed through to His Lordship’s ample London coffers, paid by the tenants of the odd few cottages which nipped like bulldog clips onto the side of the track that led to its summit, but that was all.

Lord Crowley never came, and happily for those who eked a living from certain continental trading activities, The Revenue rarely came – the rock languished in its own particular peace.

At last there befell a time when Crowley’s sun began to sink lower in the Palace sky:  the older ‘Prinny’, soon to be King George IV, with his love of laudanum grew tetchy and difficult to please, so many of those friends who, true or otherwise, had found their fortunes at his noble feet were distanced.   After Prinny’s coronation Crowley spent less and less time at Court.  The parties grew fewer, the invitations sparse.  Also older and more circumspect, he took as his wife one Elizabeth Grey, a society beauty who, though herself considered to be past her prime, was yet thirty years his junior. 

At such a distance of time and space it was hard to know exactly when the old warlord decided to retire from London and Brighton life, still harder to comprehend why, of all his estates, he picked the Rock of St. Benedict as the windy cradle for his autumn years.   He alighted from a coach-and-pair one brisk morning outside Roper’s Hotel on Levenport’s esplanade with his manservant Toqus in his wake, making no secret of his intention to stay.   The town was afire with excitement:  the news that their distinguished guest intended to build a mansion on the rock flew through the salons and drinking houses so rapidly that the proprietor of Roper’s Hotel learned of it from his fishmonger before he heard it from Crowley himself!

In the weeks before construction began the town was full of rumours: what sort of dwelling could the great man be thinking of, to crown the rock and still satisfy his undoubted subtleties of vision and taste?   Would he follow the fashion, so popular at the time, of the Indian Palace, with those great Sezincote windows and high exotic domes?

Unfortunately, enormous wealth does not always imply good taste.  Crowley worked hard upon his plans for a mansion to be perched upon the rock:  he employed the best architect, listened to the wiser counsels of his wife, his family, his friends.  He listened, but he never heard.  One by one, the architect’s best endeavours were rejected until at last the poor man found he could suggest no more.   He returned to London, leaving in his wake a hotchpotch of drawings and uncompleted notes. These, the noble Lord studied for some time.

Days later there was summoned to Roper’s a certain Mr. Quimple. Mr Quimple was well known within the town as the architect who had created, among other things, Levenport’s charity hospital. This was a fine building, although less artistic than functional.   His subsequent commissions, drawing upon this early success, were equally unimaginatively designed, but had the virtue of being built like fortresses, so no-one relished the idea of knocking one down.

“Quimple!”   Lord Crowley instructed him grandly:  “Build me that!”

Joseph Quimple was a mild, slightly oily little man with disorderly clothes and straggly hair which fell on his head like a well-tossed salad.   His outward appearance was in total contrast to that of his buildings.  They were flat and uninteresting.  Joseph Quimple did not have a flat bit anywhere.

“Er, what did you want built, m’Lord?”

“Dammit, have you no eyes, man?  That!”

Crowley’s hand gestured expansively towards a large board propped against a wall:  Quimple had already seen it.   He felt a lump of horror rising in his throat.

“Well!”   He said. 

“My word!”  He said.

He couldn’t think of anything else to say.

Glued to the board were bits and pieces of architectural drawing, cut apparently at random from the work of an obviously talented architect and reassembled to make a plan for a mansion.  Although what resulted was obviously intended to be a vision of a great house, upon first appearance it looked like nothing more than a page from a scrap-book.   There were bits of roof turned on end to make walls, gable-ends stuck over the top of windows, chimneys turned into pillars. Where the scraps failed to fit into the rest of the picture an expansive hand had joined them with bold lines in black ink with brief notations beneath:

‘Add step to match with first floor’

‘More roof here’.

Quimple felt his diminutive soul shrivelling deeper within him.  He struggled for words:

“It’s a very original concept.”  He managed to blurt out at last.

Crowley swelled with pride: “Glad y’think so!”

“But there are gaps.”  Waving a finger at an obvious space:  “Here, for example?”

“Stick in a water-closet, or something. You’ll think of it.”

Quimple felt as though the space beneath his feet was no longer supporting him.  He struggled in vain for firm footing.  “It defies description.”   He said finally.

“Excellent!”  The Lord took this as a compliment.  “Pleased you like it.” 

The little architect’s personal diary had provided an account of this conversation, but it was the last regular entry, and thereafter Peter had been unable to discover much concerning Joseph Quimple, or how he took Crowley’s dream glued to a large piece of board up to the summit of the rock and, somehow, brought it together in the agglomeration of styles and peculiar angles which came to be St. Benedict’s House.   He did know that the little man regarded the house as his master work, that it eventually sent him mad.   He found some clue as to why in a letter from the richly embossed Lord Crowley dated 18th August 1825.

Sir,

I have received missives from you concerning your progress with the house at St. Benedict’s Rock, and I am disappointed that you should feel cause to repeatedly complain about, as you would have it, “constant importuning of tradesmen for payment”. I surely need not remind one such as yourself, sir, that tradesmen are incessant in their pursuit of money and it is a necessary duty to rebuff them.  I do, however, send a draft for a further one hundred and fifty guineas to settle the most necessary accounts, but kindly do not trouble too much with decorators and the like, of whom there are an almost unlimited supply.

You reprimand me for my absence from the project, sir, but I say to you that I placed my complete trust upon you when I gave you instructions, which I expected to be followed to the letter.  Reports which I have received suggesting that there are, in fact, substantial variations from my plans, are disturbing to me, sir.   I am hopeful for an improvement to my health which shall allow me to return to England to correct these matters, but for the meanwhile I must advise you that you should persist no further with extravagances which, I am persuaded, lend to the house a quite undignified appearance.  

 I intend to limit my further investment in the house to a further nine hundred and fifty guineas, which will follow at the commencement of next year. You should dispose of this in such manner as will finish the house to an acceptable standard of accommodation.  I enclose my plan for the finished building.

I am,

Lord Horace Crowley

In even those distant times, though riches beyond the wildest dreams of many nine hundred and fifty guineas for such a project was a completely unrealistic sum,  but Crowley was, of course, by this time stumbling down a dusty road towards bankruptcy.

         “A book of account, Ma’am,”  he said once to Lady Crowley, on one of the few occasions when he spoke to her;  “Is a dreadful devious foe.   Whichever way ye turn him there’s always another within his ranks to find the weakness on your flank.   Set me against an army of the Frenchie and I’ll take ‘im on and thrash ‘im for ye:  but this?   Ye can never beat him Ma’am.  Ye never can!”

In eighteen-twenty-five, after some three years during which he never returned to the seaside town, the old Lord was still battling the elusive book of account.  Now, however, he had a second enemy gathering in his lungs.

On the rainy morning when the messenger arrived bearing Quimple’s request for further funds, Crowley had just seen his doctor.   He was ordered abroad. He must stay a winter in the warmer climate of the south of France; take the waters regularly, rest as much as possible.   If he did not he would live for….a year – two?  Who could say?

So Quimple worked alone, with very little money, constantly battling his Patron’s amendments and alterations to a plan which was structurally unworkable.   This alone, Peter thought, might have driven him insane.  But there were other enticing snippets of history surrounding the rock and its new crowning glory, other pieces to a puzzle which intrigued him and helped, as he returned home this evening, to distract from memories of a bad history examination.

Contemporary accounts relate that a bright summer morning in the Year of Our Lord 1822, when one Matthew Brightley, master mason, laid the first stone of Crowley’s Great House, marked an ending as well as a beginning.  Quimple had hitherto been untroubled by the rock’s natural inhabitants, but from that morning on, as if some truce had been broken, the snake population of the rock  attacked remorselessly.  Viper venom was a constant hazard for all who laboured there.   Several were made very ill by it, and two older stonemasons died.  It was also the time when the seabirds’ yelling became ceaseless, their molestation unpredictable and vicious.  The old title of Devil’s Rock was resurrected more than once in the taverns of Levenport.

Joseph Quimple’s final entry in his diary had always fascinated Peter:

21st August 1825:

Today completed excavations to level the surface of the central courtyard.  Exposed a shelf of stone apparently intruding deep into rock – possibly a seam.  Not granite.  Warm to touch.  Suggests hot spring, or similar – investigate.

He never did investigate.

In the gathering darkness of evening on 22nd August, the very day after this entry, those who chanced to be looking seaward were just able to distinguish Joseph Quimple’s bent form running atop the rock, inexorably running towards the lip of the cliff and its three hundred foot plunge to the sea.  There were those at the subsequent inquest who testified that madness and obsession were the cause of the little man’s lonely end.  There was one townswoman who saw the event, and her evidence spoke of Quimple as being pursued by a large flock of gulls.

© Frederick Anderson 2021.  Unauthorized use and/or duplication of this material without express and written permission from the author is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Frederick Anderson with specific direction to the original content

Featured Image: Manfred Richter from Pixabay