The Keffer Hills

To see them on a winter’s morn…

The Keffer Lantyn Fells are works of the godhead to be sure, with their high peaks wreathed in shawls of cloud; and though cloaked white in winter they may be, they nurture certainty of coming Spring,  when the crystal waters tumble from the whin stone shelves, their rich red silt bringing sweetness to the Lantyn valley, the like of which is never seen in other lands.   I have watched from afar, both in the December chill and the Spring running, and I would love them if I could.

But there is a devil in those hills.   Oh, I have heard folk tales from many lands, lurid legends of hideous creatures that lurk in rivers, or run screeching among the bare canyons of the high tops, of forest spirits and venomous sprites, but none to compare with this.  And none to have such dominion as this.  For beautiful as the sun-blessed Lantyn Vale may be, with its jewelled water and its willow scented glades, no human lives there, and no human ever will.

There were people once.   There was a village of fisher folk among the trees that line the upper reaches of the Lantyn waters, shy people nested like secretive birds who took succour from the river and huddled together when the snows came. 

Their lives were filled with superstitious tales, of mythic birds and forest ghosts, and one legend, that of Watake, the fish-god of the river, that gave substance to their being.  They honoured their protector, taking from the river only according to their needs.  And they were honest folk, before the coming of the fated child.

He who did the deed, they say, was a stranger to any charted shore – a ragged, rugged, rabid soul so oddly girded in shark-skin some would have it he was no land-born creature at all.  Yet he was a fisher by instinct, and he had learned of the riches that swam in the Lantyn River.  The woman?  She was daughter to a kindly village man who invited him to share their hearth, and come the autumn the fisher had shared much more.  All winter he taught those simple folk his ways with nets that they might plunder the river of its silver children, and come the spring when the woman’s belly was full he took his own harvest and went his way.

It is said the fisher man’s wiles led those honest villagers astray, and that winter greed was born.  It is said the spirits were already angered when summer came and his child entered the world.  That is as may be, but even the spirits could not have been ready for such a child as this.

For all his poverty, the village man shared with his daughter and her child such as he had, and his grand-daughter had no want or lack of love.   Yet from the very start it was clear she was of the fisher’s roving blood, given to straying alone into the upper forests, playing for solitary hours among the stony becks and brooks that fed the Lantyn’s waters in the valley far below.  At first she dutifully returned with evening, to sup at her mother’s table, and help prepare her grandfather’s nets.  She did this because she was taught that such was the way of the village, yet to learn the cruelty these implements of her natural father’s craft wrought upon the free-swimming fish of the river.  

As the child grew she passed all her hours wandering in the woods.  She began to learn the ways of the wild creatures living in darkest corners among the trees, even, some would have it, to speak in their tongue.  A wood-cutter from the village swore he came upon her once in earnest conversation with an otter that had built a holt in the bank of a stream:  she was crouched before the animal, he said, giving forth little chucking grunts and whistling sounds so perfect he could not tell girl from beast.  And it seemed to him the otter perfectly understood her.    Of course, such tales grow in the comfort of a warm winter fireside, yet there are always some who are ready to believe.

The villagers began to walk in awe, or even fear of the fisher’s child.  In her turn, she came less frequently to her parents’ home, but stayed day and night in the forest.  There were those who attested they had seen her amid a company of wolves, and some who said that one summer evening as she visited the river to drink she met with Watake.  These witnesses spoke of a creature larger and more powerful than any salmon – of scales that flashed all the colours of a rainbow as it leaped before the rose of the setting sun – yet in its great display of strength and beauty it caused not a splash or a ripple in the water, and thus did it affirm it was, indeed, a god.

Though fearsome in appearance, its eye was gentle.  It came to the girl to offer its wisdom.  She listened, she talked to it – she, seated upon the river’s bank, the fish-god idling in the shallows, long into that night.  A friendship was struck, something so deep and so sacred only death could break it; and thereafter her life belonged to the forest and the river.  She would never return to her village home.

From time to time down the years came word that the girl was seen, either swimming in the river or deep among the trees, but no-one could get close to her, or hear her speak, until it came at last to the summer of the Great Flood.

For days the Keffer Lantyn HIlls were buried in livid storm clouds.  Lightning flickered about the forest’s upper reaches, and the rain came like vengeance:  for a day, then a night, then another day.  The languid waters of the Lantyn River swelled to torrential fury;  fallen branches, whole trees rushed past the little village, frantic hands hauled upon the painters of escaping boats, gathered in nets mauled by the tumult.   Only the bravest or most hungry attempted fishing in such a storm.  Fortune for good or ill, they say, favours the brave.

As the legend is told, at the very moment Watake was taken by a villager’s net, the storm ceased.   The waters calmed and in wonder the people gathered around to see their deity laid low.  They stared, they muttered primitive prayers, watched by its eye, and its look might have told them, had they been wise enough, that it understood.  But the greed that was their nature now would not release them, so within minutes they set about hacking and slicing the great fish.   

Which is how the god of the Lantyn River died.

From his perch among the tall trees a redstart relayed the tragic news and by this means the wild girl heard of her beloved companion’s ignominious end.   Her wails of grief echoed and re-echoed through the valley;  the screams of her anger turned the river to blood.   There and then she uttered a sacred spell that was at once a curse and a death sentence upon the village and its people.  There and then she gathered about her all the creatures of the forest, all the denizens of the river and its banks and she made with them a pledge; that never more would men set foot in the Lantyn Valley, unless they should vanquish her first.

It was early the next morning when the villagers, fat with their spoils, woke to the sound of hooves.  Staring from their doors they probably never really believed what they saw – the onrush of wild deer, antlers tossing, trampling their huts and barging their walls to the ground; of thirsting wolves, rats swarming, sharp-toothed otters, badgers snarling like rabid dogs, each picking a throat and striking deep.   Birds, no matter how humble, that were become raptors, swooping and pecking at mouths and eyes.

A very few escaped, bringing to the outer world their story of the wild plague that erased their village.  The rest died.  Those who survived spoke of a demonic woman running naked through their compound with fingers of fire, setting roofs ablaze, making bonfires of their nets, and commanding the wolves to hunt them down.  In no more than a few minutes their homes were razed to the ground, and one by one, as though they were walking creatures, the trees advanced, and spread, and thrust new roots into the ground.  Before a seventh dusk the forest had taken back all it had yielded to the villagers.  There were no huts, no boats, no nets.  Sated wolves, well fed, slumbered where once the fisher’s steps had trod.

All sorts of rumours prevail, but no-one has ever returned to that valley to learn the truth, for  to set foot in those forests is to be attacked:  be warned should you ever try, for many have.  All wild life there is vicious, the wolves will hunt you down, the deer trample you beneath their feet,, the badgers and even the otters keep watch.  The trees themselves will reach down to strangle you, and even though you turn away, your dreams will haunt you for years thereafter.  Their general, it is said, is a wild girl who is immortal, and some claim to have seen her, and proclaim her very beautiful, but these are old men’s dreams.

For myself, I stay away.  Although I live not far from that devilish valley I would not travel there.  Far from it, my fear will always be that the contagion might spread, for once the wild ones have seen the product of their power, why should they not attempt much more?   I tell myself such thoughts are foolish, but I have seen how, in the last year or so, my own dog, though he sleeps at my fireside still, regards me differently.   And last night, catching a fox among the bins, I could not escape the snarl of his teeth, or the malevolence in his eye.

© Frederick Anderson 2020.  Unauthorized use and/or duplication of this material without express and written permission from the author is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Frederick Anderson with specific direction to the original content.

Photo Credits: Christel Sagniez and Gloria Peters from Pixabay

Hallbury Summer – Episode Twenty-Three. Bonds of Blood

The story so far:

Humbled and saddened by Sophie’s rejection, Joe learns the truth about his last day with Marian and the reason for her death.  His inherited wealth will mean he can provide for his brother Michael’s care, wresting control from their elder sibling, Ian, who wants to keep them both out of sight, in case they damage his political ambitions.  Michael has absconded, and while  Joe does not fully understand his elder brother’s anxiety about this, he is determined to find Michael for his own reasons.   Joe fears Michael may be involved in Violet Parkin’s killing.  If he is, will he return to the scene of his crime?

Remembering Emma Peterkin’s information that Michael had spent time with villager and reputed witch Margaret Farrier quite often in his growing years, Joe decides to pay Margaret a visit…. 

“I want to ask you about witchcraft.”  Joe said.

Margaret Farrier raised an eyebrow.  “You’re remarkably direct, I’ll concede that.  Is this the approach you used on poor Janice?  If so, I’m not surprised you frightened her.  Now she is someone who doesn’t like you.”

“She’s changed so much since Teddy died.”

Margaret nodded curtly:  “People do.  The altered state.  We are never prepared.”

Joe felt there was hidden meaning behind those words.  He paused, wondering whether to pursue that particular tack, but decided against it.   “Maybe.  Anyhow, I don’t know any other way to ask.  It seems such an obvious question.”

“Let me see.  You do not believe that Jack Parkin did away with Violet, is that right?”

“Yes.”

“I agree with you.  You do believe her death had something to do with pagan ritual?”  Joe nodded.  “Well, you see there I cannot agree with you.”

A lull.  Margaret Farrier offered no further amplification, though Joe waited expectantly for a number of seconds.  At length he asked:  “Why not?”

“An absence of any evidence, together with the ludicrous notion that this village is infected by the black arts.  The very idea! Absolute balderdash!”  She rose to her feet.  “I think the sun is over the mainmast.  Would you like something to drink?  Whisky, sherry?”

He accepted.  “Miss Farrier, I know Violet Parkin was involved in witchcraft – so why is it such a ridiculous presumption that her death may have been ritual?”

“You know?”  She withdrew a bottle from her sideboard for his whisky, poured her own from a decanter on the shelf, then brought the drinks to him. He stood up.

“Please sit down Joe – may I call you that?  I’m Margaret, by the way; or Margo, if you prefer.  Joe, the people of this village – no, I’ll go further than that – the lonely old women of this village (of which I, by the way, might be said to be one) indulge in the odd herbal remedy now and then;  the occasional spell, if you will.  It is a hand-me-down from generations of folk medicine, and it is a sort of hobby for us, no more than that.  The idea we would stake poor Violet out in a ritual sacrifice is – well – I already used the adjectives:  unthinkable!”  She stood close to Joe as she handed him his drink, challenging his eyes to meet her own.  “Do I look like a black witch to you?”

Joe grinned:  he was beginning to like Margaret Farrier.  “Possibly not.  But then, possibly I wouldn’t know a black witch if I did see one.  I’ve had several versions of the ‘poor harmless herbalists’ argument thrust at me, though, and I don’t entirely believe them.  Dancing naked at solstices, overturned gravestones, and dead animals nailed to people’s doors?  Three pagan rituals and not a hint of sorrel.”

She returned his smile.  “I am a Wiccan priestess, Joe.  There are certain areas of worship that require communion with nature: when it happens it is a joyful thing, but that is just one tiny part of what witchcraft is about, and it’s a long way from that sort of ritual to one entailing human sacrifice.  No such ceremony could be sanctioned by any form of The Craft.  As to the sacrilegious activity and your guardians’ unfortunate experience…”  Margaret shrugged, though her expression was sympathetic.  “Not us.”

“Oh, just as simple as that!  A single brush-stroke:  ‘not us’!”

“Joe, whenever the rumour mill finds a fresh breeze, its sails can be seen turning miles away.  Stories of how poor Violet was found germinate these excesses in every depraved soul who believes he knows how witches behave: and he uses them – to create mischief, to revive old grudges.  As I said:  not us.”

“Nonetheless you admit you do practice witchcraft?”

“I thought I just confirmed that,” She sipped her drink.  “But I’m not the issue, here, am I?”

“No.  I came to ask you about my brother.”

Margaret paused in mid-sip.  Then she said, as if she might have misheard:  “About…?”

“Michael, my brother.”

“Oh, of course!  I remember.  About what concerning your brother, specifically?”

“He joined you, didn’t he?”

“Michael sought initiation, once, it is true.  I gave some teaching, but…”  She paused, choosing her words.  “Michael was in a dark place, I quickly sensed it.  We could not admit him.”

“Margo, have you seen Michael recently?”

Joe was very careful to note the timing, as well as the phrasing, of Miss Farrier’s response.  It was perfect.  “Not for some years, I fear.  He had such burdens, your poor brother – such burdens.”

Still Joe was not fully convinced.  Michael must be nearby, and this house, he felt certain, was one of the first places he would visit.  He continued the conversation, asking questions about witchcraft in a general sense.  Margaret Farrier gave very frank, open answers.

Only when he tried to get her to name specific people or places did she demur with the sweetest but most uncompromising of smiles.

At last he was ready to leave.  As he rose from his chair, a thought occurred and he felt in his jeans pocket, producing the little package Sophie and he had discovered the previous week.

“Would you know what this is?”

It was clear Margaret did know, instantly.  But she delayed long enough to unwrap the parchment and to look upon the photograph within.

“Where did you get this?”

She had displayed perfect honesty: so did he.  “From Violet Parkin’s bedroom.”

Margaret nodded.  “So it was you.  I should have known your curiosity would get the better of you.”

“You know about…?”

“I get to learn, Joe.  I get to learn.  This…”  She waved the components of the package:  “Is very interesting – very interesting indeed.  Tell me, what do you think it is?”

“I thought maybe a love letter, but I couldn’t read the writing.  The man in the picture, is that a younger Jack?  It doesn’t look like my memory of him, but I could be wrong.”

“No – not the younger Jack.  It’s Ned Barker:  taken about twenty years ago, I’d say.  This is a binding spell, Joe.  The sort of spell a woman casts when she wants someone to love her.  The ‘writing’ is in runic symbols – I didn’t think Violet had an appreciation of those – and the spell is bound together with her hair.”  She dangled the thread with faint distaste between her thumb and forefinger.  “Not, you understand, hair from her head?”

As he was leaving, she said:  “I wonder, would you be susceptible to advice?  Be careful Joseph – be very, very careful.  Sometimes in seeking the truth of others we discover the most unwelcome things about ourselves.  I know you have trouble.  I shall try to smooth your path.”

Joe bade the woman goodbye.

In early evening, after tea was concluded and Owen and Julia had departed the kitchen, Joe raided their larder for bread and a little cold meat.  With these and a bottle of fresh water in a carrier bag he slipped from the house by means of the back door and quietly started his car.  He did not quite know why he had to leave so secretly, though maybe there were notions of protection for the old people, whose suffering was undeserved; yet there were others, too, whose attention he would prefer not to attract.  So when he reached the Parkin farm, when he turned into the lane, he cut the engine and free-wheeled the Wolsey as furtively as any thief through the open farmyard gate, only stopping when he reached the cover of the hay barn.  Had he made the journey unseen?  He had reason to hope; the farm was away from the deserted road, and the crime scene tape that until recently made it conspicuous had been withdrawn.

What did he expect to find there?   Joe’s reasoning would have been his need, now he had the means, to do something, anything, to help his brother; to remove him from Ian’s pernicious influence, yet that may not have been entirely truthful.  If he were honest, he might admit that he had to confirm his terrible suspicion that Michael would return to  Hallbury to revisit the scene of his crime.   If it were, where else but this farm should he come?  Joe quitted his car in favour of a stack of hay bales nearer the barn entrance which offered concealment while still commanding a view of the open yard.  Here, braving a constant meal-queue of hungry midges, he settled down to wait.

The hours passed.  An evening sun obscured from his sight set lower in the western sky, casting its rays in a roseate glow across Wednesday Common. He stayed, knees cramped and shivering, as darkness crept, as a pall of solemn sky gathered for rain.  He stayed for a long time.

Much, much later, after the moonless, overcast night had fallen and the cold had begun to etch itself into his bones, he began to admit to the possibility he was wrong.  Michael had not appeared, and glad he should have been!  Had he really doubted his brother’s innocence?  Had he honestly believed Michael would murder a lonely old woman in such bestial fashion?

Eventually, now in total darkness, Joe, resigned, rose to stretch himself.  The torch he had rested on his lap fell to the ground with a clatter.  Immediately, as if in answer, there was another sound.  Not from the open common but behind him, in the barn.  A stir of birds, or bats, in the rafters maybe?  No, this was different.  He cursed himself for omitting the most obvious check of all.  Someone was already there, hiding among the high-piled bales of hay.

“Michael?”

A flurry of raindrops on the roof, promising more.  No other sound.

“Michael, I brought you some food.”

Still nothing.  Joe edged back to his car and reached through the open window, switching on sidelights that would bathe the barn’s interior in a soothing glow.

“Mikey?”

A confusion of sound and shape half-slithered, half-fell from high in the stacks of hay, and even in that dim light Joe knew this was his brother.  Michael landed with no pretence at stealth, springing cat-like back to his feet and for an alarming moment Joe felt he might attack, but Michael, having corrected his balance, seemed to freeze.  They were face to face, the brothers, no more than a yard between them.  Michael’s eyes were wild, his mouth drooling blood and working at muttering, cursing sounds, crying sounds, sounds of distress.  Biting back fear Joe reached out, his fingers finding sodden clothing, exploring the contours of Michael’s arms, his shoulders, his face.   The flesh he touched was icy, the hair matted with mud.  Pity consumed him and he was moved to close his arms around his brother, until he felt the stickiness, saw the darkness on his fingers – smelled the blood.

“Oh, Mikey, where have you been, old son?  What the hell have you been doing?”

No answer came.  The sounds, the inner writhing, continued unabated.  Michael’s body was rigid; his arms pressed into his sides.   Trembling, Joe sought his hand, and found cramped fingers clasping cold steel.    His heart missed a beat.  He ran his fingers along it, the knife, at first as if he did not believe it; then, believing it, in sheer horror; for it was a long knife, a broad-bladed, heavy affair –  a machete, perhaps.  And Michael’s grip was clamped around its hilt with a furious strength.

“Mikey;” Joe said slowly, trying to control the terror in his voice:  “Give me the knife?”

“NO!”  Michael jumped back, raising the blade in a shaking hand, “No.”  Her repeated, and several times more:  “no, no, no, no…”

For once in his life Joe felt seriously scared of Michael.  But that was no answer:  he could not turn his back, not now.  “Mikey, you must give that up.  It’s a bad thing, old son.  Knives are bad.”

“No.”  Michael was focussed, stepping forward again, stabbing the machete at his brother.  Joe might have fled.  He might have done that, and been justified; for to all appearances Michael was beyond him, a lethal stranger only destined to do him harm.  But then what; the police, Joe supposed:  an armed confrontation in the night – Michael, disturbed, angry – scared?  What could happen then?  Courage came, as it always does, from somewhere when it is needed.  Purposefully Joe reached for his brother and gripped the bladed arm, steadying it.  “Mikey; for me, yeah?  Drop the knife.  It’ll be Okay, Mikey, honestly.  We’ll look after you.  Everything’s going to be alright.”

“Okay Mikey.”  They were the only other words Michael said.

#

“I’ve found him.  He’s with me, in the car.”  Joe banged his head against the glass of the ‘phone box.  “God knows why I’m handing him back to you.  I should have gone straight to the police.”

Ian’s reply was calm.  “Joe, you‘re doing the right thing – no police, alright?  He’s our brother, Joe.  We take care of our own.”

“You haven’t seen the state he’s in.  Ian, his clothes are soaked with blood, and it isn’t his.  There’s blood on his face, around his mouth, for Christ’s sake!  I dare not think….”

“Joe!  Joe, it’s alright.  I’m sure it’s alright.  Has he said anything?”

“Just three words.  He doesn’t seem able to talk.  He’s calm now, for the moment, and he’s hungry, but he won’t eat; been living rough for days by the smell of him.  ”

A brief silence at the other end of the line – Ian, thinking.  “Right.  This is what we do.  Take him to the lorry park at Calleston – the new one; do you know it?  It’s not well-known yet, so it won’t be too busy.  Find somewhere – a quiet corner; park up and wait.  Some really good people I have connections with will meet you there – they might be about half an hour after you arrive, but not long.  They’ll get him sorted out and he’ll be back in hospital before morning.  Look, Joe, don’t worry.  Michael’ll be fine – a warm bath and some clean clothes can do wonders, yes?  Now what model of car are you driving?”

“Ian!  He had a knife – a big one.  Have you any idea what he may have done?”

“Candidly?  Have you?  You clearly think he’s been up to something: what – murder?  Did you find him standing over a body?  He’s my brother, Joe, as he is yours; I don’t believe Mikey would hurt anybody, even if you do.  Get back to him and take care of him.  I’ll organise things at this end.  And no police – he’s clearly got enough to cope with without them.  So, what was the make of that car?”

Two hours later, Joseph found himself outside Church Cottages without any notion of how he had arrived there, or what instinct had driven him.  The better part of an hour had been spent waiting, with Michael sitting wordless and inert beside him, in a lorry park for the arrival of a very professionally equipped ambulance.  The two nurses who came to take charge of his brother were caring and gentle with Michael, who, his crisis apparently over, allowed himself to be led like an obedient dog.  The nurses were every bit as concerned for Joseph, aware that he was in the grip of delayed shock and worried that he should contemplate driving in so emotional a state.  There was little they could do, however, and upon Joe’s insistence that he would manage they departed.  Michael sat on the stretcher in the rear of the van, staring fixedly out into the night.   He made no response to Joe’s farewell.  As the ambulance took him away, Joe realised he had forgotten to ask where Michael was being taken.

Now he was here, in front of Tom Peterkin’s door, because Tom was his only friend, and there was nowhere else.  To go home in these bloodied clothes would mean running an impossible gauntlet of questions from Julia and Owen, questions which, in his exhausted state, he could not face.  The shock of this night, the horror of his brother, the sad beauty of Marian’s ghost and Sophie’s last words to him all rotated in his brain and he could not, dare not, spend the next few hours alone.  It was cold and the shivering had begun: someone had to listen; someone had to make sense of it all.  If he had not taken their friendship too far towards destruction, if Tom was still ready to understand, he would be that person:  if Tom was no longer his friend, Joe had no idea to whom he might turn.

His knock echoed in the empty street.  It went unanswered.  The blue front door stared blandly back at him.  He had no notion of how late it was; he had no thought of time.  He waited, knocked again.  At last a light, the shuffling of tired feet:  the sound of a key grating in the lock, a latch turning.

“Oh my Lord!”  Cried Emma.

 

© Frederick Anderson 2019.  Unauthorized use and/or duplication of this material without express and written permission from the author is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Frederick Anderson with specific direction to the original content.

Photo Credit:  Steve Halama on Unsplash

 

 

Tomchik’s Ornithology

Tomchik reaches for his bag, which sits between us on the bench.

“I like it here,” he says.  He produces a thermos flask from within the bag’s khaki canvas depths, and proffers it.

I refuse.  I am meant to refuse, he is hoping I will refuse, “Me, too.”  I acknowledge, as he pours himself a shiny metal cup of tea.  “You’ve gone environmental, then?”

“This metal thing?”  He glances at the thermos, shrugs his shoulders; “Is alright, I guess.”

“Is it biodegradable?”

Tomchik turns his grey eyes on me in that analytical manner of his.  “I don’t know,”  He replies.  “I am.”

The wind sweeps down upon our backs, riffling through the heather and chattering my teeth on its way to more important business in the valley below.  “Sooner rather than later if you stay here,” I tell him.  “Or am I the only one who’s freezing to death?”

“Sometimes it is worth a little bit coldness to enjoy,” He waves expansively over the view before us.  “You see whole village from here.  Is worth it, no?”

I have to admit our situation is ideal.  We are sitting beside a path which cuts along the side of Carter Fell above the churchyard.  We have an unobstructed view of the squat grey roofs clustered three hundred feet below, of the winding snake of water that needs a few rushing miles yet to become the River Wenly, and the narrow road that follows it.  I can identify my home among the roofs, and I can see Tomchik’s too.  We are neighbours, he and I.  In a small village, everyone is a neighbour.

“How long have you lived here, Tomchik?”

“Why you ask me?  I am immigrant, yes?”  He takes a paper package from his bag and unwraps it thoughtfully, exposing sandwiches.  “Cheeses and pickles; you like?”  Again he makes a token offer and I respond with a token refusal.  “Many years.”  He nods, selecting a sandwich and dunking a corner of it in his tea.  “You think I shouldn’t be here, yes?”

The question surprises me.  I have known him for all of those years.  “No, of course I don’t think that.  Are you sensitive about it?  If we have to look at it like that, you’re one very good reason I approve of immigration!”

“Ah.” Tomchik munches solemnly.  There is silence.

I say:  “I can’t imagine the village without you.”

Tomchik points.   “You see the Harry Tulliver’s house?”

“Plainly.”   The cottage where Harry and Jane Tulliver eke out their fairly meagre existence is easy to identify.  “It’s sad to see the weeds, though.  Harry used to be such a gardener!  He doesn’t seem to do much now; I guess he is getting too old.”

“No, no.  Not too old,” Tomchik corrects me.  “You are right to say sad.  I am right to say tired.  Harry is tired man,   That is why he is sad.”

Sometimes Tomchik’s crooked logic leaves me behind.  “Alright then; why tired?”

He allows himself a tolerant sigh, “Tired two ways.  The bay tree is still prospering, you agree?”

I agree.  The tree in Harry’s garden is his pride and joy.

“One way tired.  The goldfinches, they used to nest in this fine bay tree – now is gone.   Two way tired.  Tell me another way you recognise house of Mr and Mrs Tulliver?”

I do not understand him at first.   Of course I recognise the house!  What is Tomchik driving at?  I decide to stoke things up with a little amusement.  “Well, their roof is a slightly different colour.  White polka dots!”

“Bird droppings, yes?”

“Yes,”

“So!  Two ways!  Sparrows!    Sparrows squabbling, mess all over windows, all over back path.  Sparrow fledglings in a row on the fence, squeaking to be fed.  Sparrows nesting – six nests in the bay tree already.”

“So, why the feeders?”  I wave a hand to indicate the three feeders filled with seed that are distributed about Harry’s blessed plot.  “They wouldn’t come if the spoils weren’t so readily available.”

“Exactly!  Mrs Jane, she tells Harry, put them out!  So Harry puts them out, and sparrows come.  Starlings, they come, seagulls, they come.  They eat everything – seed, Harry’s peas, raspberries, strawberries, everything he plant, they eat.  Every time those feeders empty, his wife she puts out more seed.  Those goldfinches, they leave, the bluetits, the chaffinches, the wagtails…”  Tomchik shakes his head,  “all birds Mrs Jane like, are gone.  She thinks she can feed them all, but she just get more sparrows.  Just sparrows.”

“Harry should tell her.  Harry should put his foot down!”

“This I say to him.  I say to him, Harry, you must take back your garden.  He say no, if he tell her she say without her food all sparrows will starve.  She is responsible, she say.  More and more money she spend on food for the birds.  Tullivers, they are not rich.  Harry’s vegetables he grew were food for them.  Now…”  Tomchik shrugs fatalistically, “No vegetables!  Nothing!”

“I don’t understand Jane…”  I begin.

“No-one!”  Tomchik cuts in,  “No-one understand Jane!”

“Have you asked her about it?”

“I do.  I ask her.  You know what she think?  She think without her these birds, they are dead birds.  She likes the pretty birds.”

Tomchik grasps my arm to gain my full attention.  He stares at me.  “You like the pretty Tomchik?  Chirp, chirp!”

 

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