Continuum – Episode Twenty-Nine: Time to Choose.

In the previous episode:

Acting upon Hasuga’s demand that she remove a book from the City’s Inner Library, Alanee takes the elevator deep into the rock below the city, where she finds the sanctuary of the Book of Lore guarded by Karkus, aged progenitor of  The City itself.   In stealing the book she is discovered by the leacherous Portis, who tries to compromise her in the privacy of the elevator in return for his silence.  She tricks him by summoning Ellar to call the elevator,and escapes, leaving Portis to explain himself to the Mediant.   Now read on…

Alanee knew she had only a few minutes lead on events.  While she put as much distance as she could between herself and the elevator, Portis would, with difficulty, be persuading the Ellar the Mediant of his innocence and of hers, Alanee’s, culpability – he may not succeed on either count, but Ellar, meticulous as she was, would want to cover herself very quickly, so swift pursuit with the object of investigating any possible theft was inevitable.

Later, were she given time, Lady Ellar might review these events and wonder.  Why had Alanee’s summoner message, tapped out blindly:  “Help call lib elev”, reached her rather than any other member of the Council?

  She might wish that it had not.  She will not know that Alanee’s inexpert fingers hit her call-button purely by chance, because beneath the folds of the robe that seconds later she would shed she could neither see what she wrote, or to whom she addressed it.  It was only essential that someone should call the elevator, bring it up to the high corridor.

The Book?  Ellar never saw the book.  It was beneath Alanee’s robe when she recovered it, concealed from sight as she clasped it to her, running away through the scattering of nobles who frequented the corridor at that time.

Later, Ellar might discover these things.  Just as she might investigate Portis’s frantic claim, made while he sought to cover himself:

“It is a device Lady!  She has stolen a book!   Detain her, for Habbach’s sake!”

She might believe him.  Anyone witnessing this scene in the corridor might, if Portis’s habits were not well known, if his tastes were not public knowledge and if the physical evidence were not so compelling.  It is a balance of probabilities, as all things are, and it weighs in Alanee’s favour for just long enough.

Alanee bursts into Cassix’s chambers, where Sala awaits her. Saucer-eyed, Sala takes in her friend’s undressed state.  “Je-Habba!  What happened to you?”

“Sire Portis got a little too fresh for his own good.  I’m all right, ba, don’t worry, or I will be as soon as I get some sensible clothes.”  She senses Sala’s nervousness,  “But you’re upset, aren’t you?  Is there something the matter?”

In the bedroom, Alanee throws her robe and the book upon the bed, quickly slipping into a Hakaani-style tabard she had commissioned from the dressmaker.  She shudders:  “I wish I had time for a bath, I don’t think I’ve ever felt this soiled.”

Sala stands in the doorway.  “What’s that?”  Her eyes have rested upon the book.

“I’ve no time to explain right now.  I’ve a head start on the guards, I think: no more than that.”

Sala’s stares at the little locked volume: her eyes follow it as Alanee picks it up and slips it into her clutch bag.  Alanee reads her thoughts.  The friends both pause in shared significance.

“Is that from the…?”

“From the Inner Library?”  Alanee is tying the thongs which secure the sides of the tabard;  “Yes, it is.”

Sala’s summoner is blaring:  she stabs at it, holds it up to the light.  “It is the Lady Ellar.”

“Don’t answer it!”

“Alanee, she’s my patron!”  Sala protests; “But it doesn’t need an answer, darling.  It’s an order.”  She displays the read-out for Alanee to see.  The message says:   “KEEP HER THERE.  You stole that book, didn’t you?  Alanee, they kill you for that!”

The pair exchange looks.  Alanee says:  “So, now.  Your patron or your friend?  Time to choose, ba.” 

Sala nods solemnly.  “That’s a choice I’ve already made.  I won’t keep you, but have you seen the mirrors?” Alanee is making for the door, intent upon completing her mission by placing the book in Hasuga’s hands; “Take a minute to look at this first.  Please, ba?”

She urges Alanee around the mysterious and, to her, a doorless wooden edifice, guiding her into the leather chair before the trio of mirrors.  They are alive with reflections; reflections of carrion birds circling, people racing blindly as deer before a forest fire; dying people with terror, mortal terror in their faces, muscles taut as steel hawsers, drooling mouths and bulging, sightless eyes.  There are thousands, the running and the dying, thrown into stark relief by flashes of brilliance from a furious sky.

‘Have you seen?’  Hasuga is in Alanee’s head again.  ‘Do you understand?’  Alanee does.  Now, before these images, she understands it all.  ‘Bring me the Book.  I must have it in my hand, Alanee.’

Fighting her fear, she tells Sala.  “The book must be returned to whom it belongs.  I have to take it to him.  If you believe in me you must wait for me here, ba.  Do you see?  I will return.”

Sala calls after her:  “This.  All this.”  She waves towards the mirrors.  “It isn’t real, is it?  It’s just necromancy, witchery.”

Alanee smiles kindly.  “Is that what you want to believe, ba?   No, the mirrors speak truly.  That is the Continuum, and our time has run out  Be patient now, I won’t be gone for long.”

“The guards will come.  Ellar will come!”

“Tell them you tried to detain me, but I fought you off.  Stay here if you can, darling.”

Since her arrival, Alanee has not had opportunity to explore the links from her high station to the lower city, and she knows of just one route to the Palace.  By winding her way through back alleys, past drinking halls and night club areas that are sweeping up from the business of the night before, she hopes to evade any troop of guards Ellar or Portis may send in her pursuit.  She loses herself twice before a chance diversion delivers her onto the forecourt of the great palace building.   Taking a deep breath and concealing the book as best she can, she steps into the open.  Although she may feel a hundred eyes boring into her back, she is safer than she expects.  In the event most of the city’s elite are about their daily tasks and word of her little drama with Portis has not yet reached this level.  Any remarks she overhears refer to her status.

“I believe that is Lady Alanee, our new Seer!”

“So young!  So young!”

“Exquisite!  Quite exquisite!”

When she steps into the Great Hall of the Palace, however, the atmosphere is quite different.  Here the hustle and bustle of the day is in full swing and seemingly more frenetic than its usual pace.  She is recognised here too.  A few greet her, some ignore her, all look curiously at her disrespectful form of dress.  When she reaches the private elevator that rises to Hasuga’s high rooms, this becomes an issue.  A royal drab steps across her path.

“Lady?  What business have you here?”

“I’m appointed to meet with Sire Hasuga.  You know who I am?”

“You are the Seer, Lady.  But your clothes are inappropriate to the inner sanctum.”

“The matter is urgent.  I had no time to change.”

“Nevertheless…”

“Step aside, man.  Lady Alanee has Sire Hasuga’s full authority.”  She identifies that voice immediately, spins around in some confusion.

“Celeris?  But how…?”

His smile is as placidly beautiful as ever.  “Lady, I am always at your service, surely you know that?  You must forgive our over-zealous friend here:  the place is in turmoil.  There is a rumour that Sire Portis is under arrest, and Sire Trebec is to be brought to trial for genocide.  The High Council is in utter disarray.  It is what you might describe as a ‘bad morning’ really.”

He steps closer, so she can inhale the sweet scent of his breath, whispers to her.  “You see?  Even a hologram has its uses.  Actually, my dearest memory, this is the last time we shall meet.  Be well, Alanee.”

The elevator doors are open behind her.  Before she has time to protest or give tongue to her anger, (or would it be love?) Celeris walks away, vanishes in the hubbub of the crowd, leaving behind him an emptiness of parting.

As the doors close and the pod of the elevator raises her to Hasuga’s royal apartments she tries to confront the riddle of Celeris.  Who, or what, was he?   Substantial enough, this she knows:  no ghost, no apparition.  Then what – a part of her that she might summon in times of hopelessness or hope?  How could a life be brought to existence purely by her need, then cease until next she needed it?  How could space be created in time for such a materialisation, and what would be left each time it departed?  The process of deduction begun before the mirrors is developing and each new revelation is another shock, another open mineshaft into darkness.

He is where he always sits, upon his bed.  The room is empty.  The serpentine machine is gone, the screens are still and lifeless.

“You have the book.”  It is not a question.

Alanee takes the book from her bag, offering it to him, arm outstretched.

“No, not yet.”  Puzzled, she steps back.  How pale he looks, how thin and drawn!  The mighty complex of his brain that always seemed to pulsate with inspiration is unillumined now, as if some part of him has already left his body.

“I thought you wanted it, you said you could open it, read what’s inside.  Now you don’t?”

“I know what is inside.  As do you.  You read it when you took it in your hands, and yes, you must give it to me, but not before you know its name.”

“It doesn’t have a name – not on the spine, not on the cover – look!”  She proffers the volume, and almost at once she wishes she could retract her words, for there is a name – embossed in gold letters, where before there was nothing.  In some wonder, she reads the title aloud.

“The Holy Bible.”

Hasuga says simply:  “We are done here.”

“You make no sense to me. This makes no sense, none of it.  There is some plan, some scheme.  If I am a part of it, shouldn’t I be told?”

“Alanee my dear one, I have said to you not once but many times that I am learning.  All the knowledge I have gained is in your head too, though you may not countenance it yet.  I do not know what will happen to you next, only that if you are given the opportunity, you will also learn.”

Hasuga rises to his feet and steps closer to her, so she may see his eyes, and the conviction within them, as never before.  “It is all there in your mind – all the history, all the reality.  As you need it and if you need it you will find what you seek, dredge it out.  Think of your mind as a great library filled with books , all of which you could not possibly find time to read.

“So, what now?”  His smile is suddenly so reminiscent of Celeris.  “Well, that is the next great discovery.  When my hand closes around that book, a circle is completed.  Then we shall both discover the truth.”

Hasuga extends a thin left hand, clasps her free hand within it.  “We shall not see each other again.  Go now.”

And with his other hand, he takes the book from her grasp.

The heavens scream.

Long ago, when Alanee was very young, the earth shook itself as a dog does when it clambers from the water.  Her mother pronounced it a ‘tremor’ and dismissed it, but to Alanee it was a fearful episode; a profusion of falling plates, rocking furniture, cracking plaster from the walls.  She remembers it.  So the feeling of the palace in motion beneath her feet is familiar, and were it not for the time and place, she might dismiss it as her mother did.  But there is a greater wrongness within it that speaks to her, something that demands she run.

“Quickly, Sire!  We must get away!”

Hasuga only smiles:  he smiles, then, like Celeris in her chambers, like Saleen before Ripero’s outstretched hands, he is gone.  The room is gone.  The apartments, the entire palace is fragmenting, with no cry, with no thunder of masonry or spike of flame – without any blinding fog of dust:  just a distant whine of something coming;   something absolute …..

Filled with horror, Alanee turns towards the door:  but there is no door, there is no wall.  For a fraction of a second the great hall of the palace is in its place (how is she here, rather than three storeys above?) but then that, too, disappears:  Toccata’s tsakal house materialises with Toccata standing within it, his face a white mask of despair.  His expensive hangings are falling in a whirlwind, yet he still reaches out to her, mouth moving in a soundless greeting.  In turn the ante-room to the council chamber, then the palace courtyard fly about her head – images of places she knows, faces she remembers, shuffling like cards in a deck.

Somehow she is running, she knows that, though her feet do not seem to move; passing through the courtyard, the Grand Park, the malls, her old apartment, all with the desperate desire to find her way back:  back to Sala.  The one thing, the one person vital to her.  She must rescue Sala.

Is it her?  Is she in some kind of dream?  Only that unremitting sound, growing steadily, seems real.  The City has lost its order, its structure:  it is coming to pieces.  Nevertheless somehow she is finding her way.  Something in her psyche guides her, makes sense of the moving maze in such fashion that she finds direction when all direction has been lost.  A thread within her follows a thread through the mayhem and that should be sufficient – would be – were it not for Mother.

Mother, cheated by her beloved child and screeching out her loss in a paroxysm of fury:  Mother with hyena-teeth bared and long knife aloft comes whirling from the mists of confusion with one thing only in her contorted mind; to take the life from the one who took Hasuga from her – Alanee’s life.

Before she can defend herself Alanee is thrown to the moving ground with time to no more than twist away from the first strike – the second she cannot avoid.  It plunges deep, it strikes like an rod of fire into her thigh and instantly her blood starts pulsing through the wound.  This is death!  She takes the third strike on her arm, catching the raw blade enough to turn it on itself.  With a strength born of mortal peril she thrusts the demented woman from her, grabs the hand that has the weapon in its grip.

Now a real struggle begins.  Mother has the knife, would thrust it into Alanee’s heart, but Alanee holds her by the wrist and is forcing it back.  Mother is finding her feet, trying to rise.  Alanee feeling her strength flowing freely from the gash in her leg has too little time.  It must be now!  The woman’s hand is pushing this way, her balance is swaying that.  Going with her movement, going against her poise, one thrust.  The knife goes where the knife chooses, and it chooses Mother’s throat.  The woman who devoted her life to care of the Hasuga child ends it by her own hand, by Alanee’s guidance.  Her windpipe severed and emitting bubbles of blood, Mother sinks to the floor, thrashes there for a second or two before dying.

Alanee’s rising vomit would choke her.  With no time for ceremony, she snatches Mother’s robe, using the bloodied knife to rend a strip from it.  She binds her leg tightly, so tightly she has to suppress a cry of pain.  Aghast at the pool of her own life that has already formed upon the switchback floor, she limps forward:  still hoping, still searching.  She promised she would not be long.  She promised she would return for Sala.  Her leg is ruptured, the muscle in her arm is slashed, disabled by the same knife; but she must find Sala.

The task is insuperable, random scenes passing before her so fast she can achieve no sense of direction.  In neither light nor darkness, she does not know where she is going, she cannot find anything constant to cling to.  The noise which pursues her is incessant now, an animal, an all-devouring thing.  People are scattering everywhere:  Ellar flits by, Trebec, the Domo.  And all the while her strength ebbs.

Utterly despondent, she ceases to try.  The hopelessness of her state, the certainty she will die before she ever reaches her friend overcomes her.  Whatever is happening to the city will consume her too.  There is no redemption, no answer.  There, amidst a rolling barrel of destruction Alanee drops to her knees and submits to fate.

Behind her the Continuum roars louder, a focussed beast sensing prey.

© Frederick Anderson 2020.  Unauthorized use and/or duplication of this material without express and written permission from the author is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Frederick Anderson with specific direction to the original content.

Image credit: Kristen from Pixabay

And I Can’t Sail my Yacht…

How am I a lucky man?

I’m a natural ‘Lockdowner’ – an instinctive hermit!  It’s my nature to sit on the sidelines – it’s just that the sidelines are a little more to the side, these days.  Retired and retiring – that’s me!

Alright, time to stop gloating.  I wouldn’t presume to instruct anyone how to live their life, but if your toes are beginning to twitch and you’re picking fights with the dog, here are a few possibly helpful tips from an old head.

1.  Married Bliss:

If you’re young and in love, being in each other’s arms for every minute of every day will be wearing a bit thin by now.  If you have grown cynical with age, it probably never held a great deal of attraction for you.  Either way, avoid extremes: criticizing your partner as they go about their daily tasks will start to carp after a while, ‘constructive suggestions’ may induce violence.  If you must offer ‘advice’, pick upon activity with potential for a soft landing – when the blinds need to be drawn and when not will merely result in a broken blind; commenting on deficiencies in ironing technique could end in physical injury.

2. Give each other space.  When you agreed to live together you never agreed to twenty-four hours of actual proximity.   You were both working.  You met briefly,  morning and evening.  That’s all you ever agreed to.  Change that arrangement as little as possible.  If you can’t, plead ‘self isolation’ and go and live in the shed.

3.   Manage your space.   This is particularly difficult in the UK, as very few of us inhabit mansions or castles where sat nav is needed to find the bathroom.  For most, the standard three-bedroom house can still, with a little ingenuity, afford ‘office’ space for each grown-up.  Once achieved, that’s PRIVATE TERRITORY.     If you want to share, use the router.

4.  Manage the children.    You can’t manage children – don’t try.  However, if you have a household PET you can corral them together as much as possible (this works best with dogs and cats – Iguanas, tarantulas and snakes might yield less satisfactory results).

5.   Avoid ‘news’ as much as possible. 

In UK ten minutes twice daily is all that’s necessary to keep up with the latest rules.  The rest is mawkish repetition of slogans meant to subdue the most obtuse of us, and propaganda to persuade us we are doing everything better than everybody else (untrue).  

6.  Take the six-foot gap convention seriously.  Social distancing means a reappraisal of our subject matter, unless we can be sure our conversation with the added volume required won’t be overheard;

“Mervyn!”

“Fred!”

“How are yer, lad?”

“Fine now, like!”

“How are the warts?”

“Clearin’ up.  That ointment’s marvellous

“Helluva weekend, wasn’t it?”

Save conversations on personal matters for texting, or, if you prefer, confidential chats with your fridge, microwave, or dish washer (avoid discussions with the cooker, they tend to get overheated:  nudge, nudge).  I read of someone who was outraged to think he had started talking to his fridge – I couldn’t understand that:  doesn’t everyone talk to their white goods?   I’ve had some the best advice from my tumble-dryer down the years.  Try it!

7.   Keep yourself interested.  Read, but target your reading.  Research something you can learn from – become knowledgeable in the sleeping habits of the Pipistrelle bat, or study  Welsh, so the next time you go to Portmeirion, you’ll be able to discuss china with the girls in the shop. 

Remember, boredom is at the heart of this thing.   Boredom is more deadly than any virus.

Enjoy lockdown, and above all, STAY SAFE!

Picture Credits:

Sharon Mccutcheon on Unsplash

R.I. Butov from Pixabay

Omni Matryx from Pixabay

Banner: Omni Matryx from Pixabay

The Continuum – Episode Twenty-Three: Impostor

From the previous episode:

Alanee has learned from the dying Cassix that she is to be Seer to the High Council, and she has been shown the Continuum that is Cassix’s greatest fear.  After she has left him, Cassix summons his fellow Councillors to tell them of his choice of successor.

Lady Ellar remains at the old Seer’s side until he dies.

After so emotionally exhausting a night, Alanee has slept only fitfully, beset by dreams.  She rises early to pump her veins with all the tsakal they can retain and dresses herself in her formal robe before venturing into the City.  She would slip anonymously through the shopping avenues to a small emporium she recalls noticing on the day of her first shopping adventure with Sala.

“Lady greet you in your good fortune!”

She has scarcely closed her door.

A woman in her forties confronts her, thrusting a face caked with makeup into hers:  “May I prevail upon you to consider my husband as your assistant?  He is so gifted!  You may remember him – he was….”  Alanee, ducking back to evade a gale of sour breath, does not catch the rest of the sentence.  A small bundle of blankets is stacked against her wall.  The woman has clearly been here for some time.

“I hadn’t thought…”  Alanee protests.

“I will not accept refusal; simply won’t accept it.  He has such talent.  And you will need him, my dear.”

There is a keen edge to the woman’s voice.  Gathering herself, Alanee realises she should have been prepared for encounters like this, but part of her still believes her meeting with Cassix last night was a dream.  Obviously word has already spread.

“I’m sorry, I’m not thinking of any assistance just….”  She is uncertain how to finish her sentence.  “But if you would like to give me your summoner tag, I will call you.”

“I urge you to give this your immediate attention, my dear.”

Now the woman’s voice has definite menace.  Alanee bridles:  “I’ll give it attention, then.  No, thank you.  I will not need your husband’s assistance.  Now, will you leave me alone?”

Like a viper the woman rounds upon her.  “Leave you alone?  No, Lady Alanee I will not do that.  No-one in the City will leave you alone – not now!  Every step you take, Lady!  Think well!”

The woman is glaring at her, snatching up her bundle.  Alanee is confused by this sudden ferocity.  Is the woman mad?

“Lady Alanee?”  From across the avenue comes a rat of a man with irregular teeth, scraping along on ragged sandals.  “Is this her?  Oh, Lady Alanee!  I can’t believe my eyes!  So exquisite a Seer the City has never known!  A pretty face, Lady!  An inviting body, eh?  How far can you get, do you think?  How long before the High Council finds you out?”

“Yes, this is her – the Hakaani peasant!”  The woman snaps.  “We can see it!  It doesn’t take a Seer!”

“Take a Seer to bed, more like!”

Alanee has turned away, walking down the avenue.  Behind her, others join the string of sotto voce comments that are yet just loud enough:

“Cassix’s whore!”

“Poor old man.  Too much for him, I shouldn’t wonder!”

There is studied casualness in Alanee’s step. 

“Look at that!  She even walks like a courtesan!”

“Busy night, I expect.”

Alanee increases her pace, and as the avenue opens out onto the Grand Park there is another shock awaiting her.  At the far end of the lake, The City has raised a painted portrait of her, a salacious facsimile in garish colour at least fifty feet high.  Across its upper edge a banner proclaims:

“The Lady Alanee – newly-elected Seer of the Consensual City”

Her first thought is for the artist who worked so dextrously through the early hours to produce this likeness, albeit a rushed and unflattering one.  Her second identifies Portis as its probable instigator, for she is depicted clad in a low cut dress unlike anything in her wardrobe.  Her lips are made to pout provocatively, her cleavage is heavily emphasised.

Small groups of early morning walkers are staring up at her likeness.  As she passes, an agitator hurls a ‘bomb’ of green paint at the picture, quickly following up with further packages of red and blue, to onlookers’ encouraging laughter. 

The agitator sees her.  “There she is!  Habbach, there she is!  Nice going, Lady!”

Heads begin to turn.

“Sire Cassix’s lucky successor!”

“Successor!  That’s a new word for it!”

“Our Seer!  What do you see for us this morning, Lady?”

“Lady?!  Shouldn’t we consider a new title?”

Someone hurls a missile:  no more, perhaps, than a clod of earth from the Park, but it strikes Alanee heavily on her back.  She starts to run.  Something whips past her ear, smacks into the wall to her right; something harder and more injurious.  The taunts have given way to angry shouts.

In flight she has little time to think; all she can do is race for her original destination, a little book store on the Avenue De Grange, but to get there she must pass all kinds of emporia, and nearly every window displays that picture.

‘Lady Alanee – newly elected Seer to the Consensual City’.

On one picture someone has fancifully outlined her breasts, daubed with livid red nipples.  Another shows her with her pursed lips rendering an obvious service to a crudely sketched male appendage.  All the while her hostile pursuers are multiplying.

The little book emporium is so unobtrusive that by ducking inside Alanee hopes to shake off her pursuers.  Shutting the door to the avenue she leans back against its jamb to regain her composure.  The clamour from outside has dwindled briefly, giving her the hope her plan has worked.  Not for long.

A shout.  “There she is!”  The features of the agitator leer at her through the glass.  In moments there are a dozen faces – the banging begins.

“Get her!”

“Drag her out!”

“The door has bolts.”  The shopkeeper says.

He stands in a doorway at the far end of his shop, a diminutive male figure of considerable age, his bald head fringed by a disorderly tumble of white hair, eyes blinking behind rimless glasses.  His upper body is wrapped in a woollen garment so stretched and faded it might be as old as he: voluminous trousers drape his shrunken thighs.

Needing no second bidding, Alanee throws the big iron bolt in the centre of the door, a second before a first shoulder from outside charges the wood.  There are two further bolts above and below.  She slams them home.

“You excite them.  Come into the back room.”  The old man shouts to make his voice heard.

His emporium is as small (a single narrow aisle with high shelves of books to either side) as it is dark; its subdued light shrouding rows of upper titles in mystery.  Somehow, though, its warm smell of leather is comforting:  even rushing through it Alanee feels its assurance wash over her; quelling her fears.

Whereas the shop is of the books, the back room is of the man.  As she shuts its door behind her, putting a second barrier between her and the noise from the Avenue, she enters a space not much larger than the rest-place by her apartment kitchen.  The shopkeeper’s imprint is everywhere:  a muddle of shelves and tables with, at its centre, a leather armchair as old as any of the books outside.  Walls the colours of an apple, red and green, a ceiling with a single light.  Papers, books, boxes, wrappings, a few rudimentary tools, a stretcher, a guillotine:  items relevant to the bookbinder’s trade, strewn over any horizontal surface that will accept them, including the floor.  Many of these haphazard piles are teetering on the verge of collapse.  All are dusty, even the viewing screen (the room’s only other source of illumination) on a desk beside the chair.  Alanee, already deeply shaken, tries not to imagine the creeping things that might lurk in these neglected creases and ravines.

“A customer this early?  A fine lady too; and so many friends.”  The old man squints at her:  “You are a customer I trust:  or am I merely safe haven?”

Alanee has gathered enough breath to bid him good morning, at which irony hiss eyebrows knit so tightly it seems his whole face might shut like one of his books.  She is sure the odour of ancient parchment attaches itself to his wrinkled flesh.

“I came to you with a purpose.  All these people!”  She shrugs helplessly:  “I don’t understand how…”

“No?”  For all his years the old merchant’s eyes are too quick and bright for his spectacles to subdue them.  “But then you are not of The City, are you?  No, you wouldn’t understand,.  The wrath of the people is a tolerated instrument here, all too often:  tweaked strings, I shouldn’t wonder.  As to who tweaks them….”  It is his turn to shrug.  “You have an enemy, Lady, a puppeteer.  Now, we are able to talk, so how may I help you?”

“I thank you for that;” Alanee is regaining her composure.  “I want a book.”

A dry cackle of laughter.  “I have several of those.”  The bookseller leans forward confidentially, putting his weight on a precarious stack of papers and disturbing, Alanee fancies, a thin waft of dust:  “Few read books these days:  every year, fewer.  Any particular kind of book?”

“Yes.  A red book.”

“Does it matter what the book contains?”

“Not at all.”  She makes a shape with her hands:  “A book so by so, and of roughly this thickness.  It should be bound in old red leather, and secured with a lock.”

“Intriguing.  Do I know the title of this book?”

“It has none.  There should be nothing on the binding.  I want this book to be made, and its cover distressed to appear  ancient.  No-one ever need open it.”

“Ah!”  Sighs the old man:  “A shelf-filler.  Very well, would you demonstrate those sizes to me again?”

‘No, not just a shelf-filler: this book will be an impostor’,  Alanee thinks, as she repeats the dimensions.  In her mind she already sees it so clearly she is sure the bookseller must share her vision, and it appears he does, for he asks for no more detail concerning the volume itself;

“Now; the lock?”

“Old.  Do you have paper?”   Alanee draws a quick sketch.  

The bookseller nods.  “I know someone who can make me such a lock.   Let me be certain:  the pages may be blank, or printed in any fashion – it does not matter?”

“No.  It will not be opened.”

“Then it will be the more convincing, for I can use old pages from another source and rebind them. So many old pages are never opened.  I can have your book ready in three days, my Lady.”

“Tomorrow.  I need it tomorrow.  I’ll send someone to collect it.  Give me your number.”

This merits more blinking from those fevered eyes:  “I will do what I can.  It will be quite expensive, to make a book like that.  There will be window cleaning to be done, too, you know.  Very pricey, that is, in the city.”

“Yes.  Yes I know.  I will not forget your kindness.”  Alanee reaches in her purse, astounded at how sententious her own voice sounds.  She pulls out a wad of credits:  “Will this suffice?”

“Amply.”  The shopkeeper’s eyebrows arrive a short span from the top of his moonlike dome where they find further cause to remain, at the sound of a tooth-grinding siren from the Avenue.  “And here, right upon cue, as it were, is the cavalry.  Let’s see if they can afford you protection?”

#

Returned to her apartment, with a guard outside, Alanee can no longer hear the ribald invective from a throng who already view her as a source of entertainment.  They will not disperse until the same security squad that ensured her safe return put in another appearance, this time protecting Ellar the Mediant.  Alanee admits her, trying to disguise an episode of tears.  Successfully perhaps, for Ellar makes no attempt to commiserate.  Her news is starkly simple:

‘Sire Cassix is dead.  By his wish you are elected Seer to the High Council.”

So it is real.  In a few cycles of the sun she has been adopted by the fairy castle of her childhood dreams, and succeeded to one of its highest offices.  The Hakaani widow whose greatest ambition was to become manager of her Terminus and earn more than a hundred credit pay check is now a public figure.  The thought should make her swoon.  Why, then, is this cup so difficult to accept?  A thousand shouted reasons in the street; a million un-rebutted insults, insinuations and false claims?  Her tears express a yearning to return to simpler times when no-one but her neighbours knew her name.  The days before her are days she will face with dread.

“You must move to the Seer’s residence.” Ellar advises her.  “Although this initial hysteria will die down, you will suffer constant importuning from the citizens of the Lower City.  Only in the Upper Levels will you get any peace.”

Ellar is sitting stiffly across from Alanee on her living room couch, a drink clenched in her hand.  Alanee watches her with feline curiosity; for she recalls Hasuga’s words:  ‘Ellar cannot resist you now’, and she no longer fears this dominant, imposing woman.

“You should be aware,” Ellar warns her; “Your election is not a popular choice.  The majority of your fellow Councillors were very much against Sire Cassix’s decision.”

“If I am a Councillor now, where does that leave you?”  Alanee asks.

Ellar raises an eyebrow.  “In immense difficulty.  You see, I, too, wish he had chosen otherwise, but as Mediant my task is to intercede for you with the High Council.  Fortunately Cassix moved my election also; otherwise my position would be completely untenable.  Even so, it is not a task I relish.”

“Are you telling me you wish to step down?” 

“Can you convince me I should not?”

Alanee considers this.  “You are a good Mediant, I think.  I will need guidance.”

Ellar nods.  “I believe that your coming here was a bad idea.  I accept, though, it was not of your making.  I do not blame you, Lady.  Now Cassix has placed you where you apparently can see the shape of things to come:  however, he has also given you to Sire Hasuga.   Henceforward have no illusions as to who controls the fate of this City.”

 “Suppose I was the one to resign?”  Alanee suggests.  “Suppose I didn’t want to be your Seer?”

This draws a wry smile from Ellar.  “Yes, indeed – suppose that.  In a way it would be all we could wish, wouldn’t it?  Except that Cassix was a great Seer, and no matter how onerous your nomination must be for us all, you were his choice.”

“Which doesn’t stop me from taking my own decision?”

“No. The law of blasphemy does that.  Sire Hasuga has ratified your appointment; if you reverse it, he will not be pleased.”

“You make it sound as if it was really Hasuga’s decision.”

“Wasn’t it?  Sire Hasuga will have been uppermost in Cassix’s thoughts when he made his choice.”

“That’s it, then,”  Alanee sighs with the resignation of one whose fate has passed to other hands.  “You must work with me.  I have a great deal to learn.” 

“Work with you?  Work alongside you, perhaps.”

“What exactly is your price, Lady Ellar?”

Ellar takes a sip from her drink before placing the glass carefully on the table.  “Price?  Believe it or not, yesterday Portis and I completed the list of duties we saw as befitting your service to Sire Hasuga.  Oh, have no fear….”  She waves a hand airily; “I do not expect you will even read them now. 

“If Cassix planned this, placed me on the Council, made you his successor, it was because of your of immunity to Sire Hasuga’s will.  He had not that gift, and neither have I.  But as a Mediant I am not afraid to commit blasphemy in the City’s cause…

Alanee interrupts:  “I don’t see what ‘blasphemy’ means.  If it means you mustn’t question anything Hasuga does or says he can stampede all over you.  That’s never been the way, though.  You’ve always adjusted, filtered, altered his will in subtle degrees:  so where does that stop and blasphemy begin?”

Ellar allows herself to smile.  “Perhaps when it is stated out loud?  Alanee, my ‘price’ is this.  Now Sire Hasuga has the power to overwhelm those subtle adjustments of which you speak, persuade him it is still in his interests to maintain the wellbeing of this city, and I will help steer the Council to accept the best options you can negotiate.  We can work together – shall we say, as a team?”

“You think he has other plans for The City?”

“I fear he has.”

“Or suppose he is a child just growing to manhood who knows less than any of us where the future lies?  If we are on his side we can guide him, give him responsibility – work with him and we will all learn – maybe not at his pace, but we will learn.”

Ellar says grimly.  “We once mistakenly allowed an aerotran to enter the airspace above The City and Sire Hasuga saw it.  He played with it for an hour, throwing it about the sky like a toy.  Its pilot never flew again:  Beware of Sire Hasuga, Lady.  You have a tiger by the tail.”

Alanee is deflated for the moment.  She gives a dismissive shrug.  “Meanwhile, I have to move into Sire Cassix’s chambers, do I?  Can I view them?”

“Certainly.   I will send a guard with Sala to conduct you there.”

The retort is quick as a thrown knife.  “Has she clearance?”

Does Ellar betray her surprise ?  “Yes, her status has been raised.  She is now a member of the Inner Court.”

“A courtier.  So she knows of Hasuga?”

“She has not met him yet.  Will not, unless he desires it.”  Ellar replies without a flicker of expression, though Alanee cannot help but wonder if she knows from whom Sala first learned of Hasuga.

“And;” Alanee continues:  “I shall need to study, the Book of Lore, as well as any other histories.  That was Cassix’s wish.”

Ellar gives her a curious look, but merely assents.  “Of course.”

Both women will leave this meeting with something new.  Ellar has further developed her appreciation of Alanee.  In spite of her reservations concerning Cassix’s choice, she now sees a clearer picture of the adventure before her and comprehends its inevitability.  Meanwhile Alanee, tidying the debris of their meeting, senses she has within her grasp someone who can be both enemy and ally, foe and friend.  She has not lost her mistrust of Ellar, but she has opened a window deeper into the Mediant’s soul.  So she loved Cassix, did she?  That, at least, is something Alanee understands.

© Frederick Anderson 2020.  Unauthorized use and/or duplication of this material without express and written permission from the author is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Frederick Anderson with specific direction to the original content.