Galleons and Gold

                                     

Samuel Trimble visited the City with metronomic regularity.  On Mondays and Thursdays, his plump over-coated figure alighted from the ten-fifteen train, pausing on the station platform to lid his thin hair with a Homberg.  Then he walked – down the hill from the station, through the City’s narrow cobbled streets, beneath timbered houses which frowned and leaned above his head, sharing confidences with one another.

      Samuel’s destination was a coffee shop housed in a time-worn building, with timbers in its lime-plastered ceiling as craggily genuine as its little front door, which forced a stoop, even for one of Samuel’s diminutive stature.  At ten forty-five, having purchased a newspaper, Samuel Trimble could be found in his usual seat by an old brass bed-warmer in the corner.

“Coffee, sir?”  The waitress always asked.  She had brought him coffee without asking, once. 

Samuel had stared at it for a very long time before saying in his tight, lisping voice:  “I wanted tea.”

Screened behind his newspaper Samuel remained oblivious to the other regular visitors to the cafe: an old lady always asleep; head back, mouth open – so thin and pale a stranger might think her dead. Two men, thirty-something’s whose theatrical conversation was laden with ‘darlings’ and ‘Oh my’s’ at a big table by the counter:  a bickering young couple next to the window who made up quite physically before they left hand in hand, besotted. 

His ears were closed, too, to kitchen drama:

“What do you mean he wants Worcester sauce?  Worcester sauce on my cheese?   I don’t do.”

“He says he wants it.”

“Tell him no.  NO!  What is he – peasant?   Throw him out!”

“And his missus wants goat’s cheese and coriander.”

“That I do.”

“No point if you want me to throw him out.  She’ll go with him!”

“Don’t you get your cheeky with me, Miss!”

 The two theatricals gossiping, Sotto voce:   “Oh, my god!   She didn’t?

“In his face, my dear – right in his face I was mortified, I can’t tell you!”

 Samuel, who had shared this room with these people so often, never once exchanged as much as a greeting.  What was it, then, on this particular day, that made him lower his newspaper?

 “Young woman; we require a table for two.”   A grand dame with a thick film of slap on her wide, large-featured face and a voice that could re-route the ‘Nimitz’, she stopped every conversation in the café.   All eyes but Samuel’s turned upon the woman.  One of the theatricals gave a snicker of laughter, provoking a smack on the fetlock from his friend.

Samuel’s gaze was focussed upon the woman’s companion: much younger; of maybe twenty or twenty-five years – a girl dressed in a magpie’s nest of short imitation leather bomber, bee-stripe top and loose khaki cargo pants.  A pair of red thong sandals flapped beneath thin feet.  Her lank blonde hair hung to her shoulders, yet such a face!  A slender, porcelain oval with a small mouth and large, very dark eyes set in an expression of permanent wonder.     

The waitress indicated a table opposite Samuel’s. 

“It will have to do.  Bring us tea – two teas.”  Like a galleon, the big woman crossed the floor of the café in full sail and Samuel ducked as she swept past.  Her companion followed in her wake, a circling gull. 

The waitress brought them tea.  “Anything to eat?”

The woman glared:  “If we require food we shall summon you.” 

While the rest of the cafe’s interest in this pair had already begun to fade Samuel was completely absorbed.  He could not take his eyes off the slim, shy girl whose big eyes were cast demurely down into her teacup. She was the target of her bombastic companion’s bumble buzz of subdued conversation and clearly being castigated to a point, so Samuel thought, where she was almost reduced to tears!

He tried to divert his attention, he really did!   He concentrated fiercely upon his newspaper, shutting out the drone of verbal bullying; but a loud expostulation from the big woman put paid to all that.   Chair thrust back, look of thunder on her coarse features, the woman stormed towards the counter, trumpeting “waitress!” so loudly the cutlery tray rattled.  

“Yes, madam?” 

“Young woman, does this establishment normally allow standards like these?”

“What do you mean?”  The waitress’s voice was sullen, and a little shaky.

“This cup, girl.   It is cracked!  Well?  Replace it for me.  Come along now!”

As the offending item was exchanged Samuel Trimble’s eyes were drawn upward upon some invisible thread to be met fully by the eyes of the girl, whose lips moved to form a single word.  He could not hear the word, but he could read her lips:  there was no mistaking their meaning.  She had said, simply:   “Help.”

Behind him, the big woman boomed:   “And we do not expect to pay for our tea!”  The girl’s eyes dropped quickly.   The moment had passed.

How long did Samuel remain in the coffee shop?  He stayed longer, much longer than was his custom, determined not to leave until the girl, then to…then what?  He had no clear idea. 

“Another cup, sir?”

“No thank you.  No.”

“Pretty, isn’t she?”  Said the waitress, with a smirk.

Samuel made no answer – he could not.  Samuel’s ship upon the ocean of life, composed entirely of routines, each day planned so carefully he knew precisely what he would be doing on this day in another month, or even another year, had never tacked across the bows of a member of the opposite sex for more than the briefest  of encounters.  When women spoke to him (which was not often, because he could scarcely be called handsome or even interesting) he became tongue-tied.  He would be foolish or rude.  

Alone in the house bequeathed to him when his mother died, living on an inheritance eked out carefully from week to week he had never married, never worked for his living, and never loved anyone other than his mother.  So the waitress’s question, innocent as it seemed, was of such toxicity to Samuel that he quivered before it.

“I’ll get your bill.”  The waitress said.

And yet, when the two women rose to leave Samuel followed them!  Whether in an outburst of gallantry for the younger one’s plight, or merely to satisfy his curiosity he could not have answered.  He only knew he must not lose sight of the waif-like girl.  Every eye in the cafe watched him leave.  The old woman woke up;  the theatricals paused in their gossip to exchange conspiratorial smiles.

Samuel’s quarry followed the main street.  He kept well behind them, affecting nonchalance with such success that even passers-by with no notion of his purpose began to eye him with suspicion.  He held back so far that when they turned into an alley he almost lost them.

Samuel had never walked this lane before.  It was oppressively narrow – a twilight of overhanging tudor antiquity.  The girl’s slippered feet echoed noisily in front of him.  His own leather-shod heels clacked.

Did he notice when the large woman disappeared?    He was so intent upon the girl he missed her departure.  Had she passed through a doorway into one of these high old buildings?   He had no idea – any more than he understood how it came to be that suddenly the girl was standing right in front of him.

“You came then?”  Her voice was full of rich colours.  “I thought you would.”  She reached out to take his hand.  “Come on.”

Her hand was small and cool.  There was a doorway, then dark, dark stairs.  On a second landing, by milky light through leaded glass, the girl stopped.   Only one door, a very ancient door, led from the landing.

“These are my rooms.  You can come in if you’d like?”

 Samuel stammered.  “Your er…your mother.  Will she mind?” 

“Oh, her!  No, she isn’t here.”

“I thought you asked me for help?”

“Yes, I did.  I do need your help.”  The girls tone changed, so that somewhere (Samuel could not quite place it) a little sob entered her voice.  “It’s cold out here:  please, won’t you come inside?” It was quite cold.  Why had he not felt himself shivering before?

The door was heavy, so the girl had to lean against it before it would swing open.    She beckoned to Samuel, smiling for the first time; and her smile lit her face so sweetly that Samuel’s marble heart was instantly beguiled.  Mutely, he followed her. 

A warm lavender-scented room greeted him, with hangings of thick red brocade about its walls and bare flames licking at logs in a large open hearth.  The chimney piece was ancient, with its old-fashioned cooking equipment of firedogs and a spit still carefully blacked and in place.   A ceiling of unpainted beams frowned down upon a carpet so well worn it was mostly canvas, and a pair of upholstered chairs which stood either side of the fire.   These chairs, once richly clad in scarlet velvet were more distressed and threadbare than the carpet.  Two dusty leaded windows gave light to the room; a battered mahogany sideboard stood against the wall between them.  Other than the hangings, the only adornments upon the walls were five small paintings, each a portrait of some kind.

“Ancestors?”  Samuel asked.

The girl repeated her smile:  “Just paintings.”

For Samuel, the faded luxury of this room was familiar:  he had never the means to renew those items in his home which, by dint of long use, needed replacement.  So he was looking at a reasonable facsimile of his own sitting room. 

“Why me?”  He asked at last, gaining confidence.  “Why ask me for help?”

“You look kind.  You look…”  The girl moved close to him, gazing wide-eyed into his face:  “lonely.”

That word plunged, like a well–aimed arrow, into Samuel’s soul.  “Oh!”  he said, more in shock than anything.  Then:  “Why – I mean how – do you need help?”

The girl shook her head:  “I can’t tell you, yet.  You’ll think me …look, please sit down.  Can I bring you wine?”

“No, no thank you.”  Samuel responded, sitting down in one of the chairs all the same.  “Just tell me!”

“You’ll think badly of me.”

“I won’t!”  Samuel protested.  “I really won’t!”

“Very well then!”  The girl took the other chair.  “This is how it is.  That woman you saw me with, she isn’t my mother – she’s my landlord.”

Samuel began to wish he had not insisted.  Solitary though he might have been, he was not a fool, and the girl was right; he was thinking badly of her.  “Go on.”  He said, in his chilliest voice. “This is about money, isn’t it?” 

At once the girl’s features creased:  a tear formed quickly in her eye and toppled.  “Oh, you see?  I knew.  I just knew you wouldn’t like me!”

We have said that Samuel was unaccustomed to any form of intimacy with women, and the girl’s obviously genuine distress took him aback:  “Now, now!”  He tried to placate her:  “You are behind with the rent, I suppose:  by how much?”

“A thousand.”

Samuel stood up, brushed the front of his coat, picked up his hat.   The girl sobbed.  As he reached the door, her small form slipped in front of him, her delicate palms rested against his lapels.  “Please stay?  I didn’t ask you for the money.  Have some wine with me?”

“Young woman, I couldn’t help you with such a sum!”  Samuel protested.  “You should have budgeted more carefully, for heaven’s sake!”

“No, no!  I’m not behind with my rent!  My brother – he’s an artist – he came to stay with me for the summer, and she says I owe her double rent because he was here!   I don’t know which way to turn, I don’t!  She’s an evil, grasping woman!”

Large eyes, soft breath, quivering, slightly pouting lips – was it any surprise that Samuel wavered?   He had to step away from the intensity of that stare, wrest his eyes from the girl’s bee-stripe top and the gentle swell of her breasts.  He did so on the pretext of studying the small paintings on the wall – five of them, each a portrait of a different subject:  a warrior, a prosperous-looking Victorian grandee, a roughly-shaven priest with a strong jaw, a very regal gentleman with a posture of extreme hauteur, and a merchant of some sort in regalia festooned with jewels.

“What do you want?”  He asked when he had recovered himself. “You say you don’t want money; what do you want?”

“Why, your help – your strength!  The moment I saw you I knew!  You could stand up to her – tell her she’s wrong!   I need you to tell her she’s wrong!”

Samuel sighed.  “Where does she live?”  He asked.

The large woman’s green-painted door was near the entrance to the alley.  How long Samuel bumbled and fumbled outside it is uncertain: certainly to knock upon it took extreme courage. 

“Who are you?”  The woman boomed, filling the doorway with her presence. “I’m busy.”

Hesitantly Samuel entreated on the girl’s behalf.  The grand dame was dismissive: 

“That wastrel!   Don’t spend your sympathy on her!   One tenant, one rent; two tenants, two rents.  I believe that’s perfectly fair!”

If he was seeking a kernel of humanity within that obdurate painted shell, he did not find it.  “She owes me the money.”

“She doesn’t have it!”

Those needle eyes stared, rather as a cobra assesses a mouse.  “Do you?”

Samuel’s blood rose.  “I’m certainly not going to pay it for her!”

His indignant riposte brought forth a smile from the woman.  It did not have the same effect as the girl’s smile, but her tone altered.  “Why not, now?  A gentleman like you who comes to town regularly?  A nice little arrangement I’d say.  You pay her arrears, she repays you.  I’m sure you could think of some service she might provide?”

Samuel’s beige face turned as completely scarlet as was possible.  “How dare you!”  He stormed.  “Even to suggest such a thing of a young lady of reputation!  Even to suggest that I might be capable of…of…”

“Of what, dear?  Of needing what all men need?  Is that so bad?  And you might find your little angel to be a lot more demon than you expect.  But still…”  The grand dame shrugged:  “If that’s how you want to leave it..”

No, that was not how Samuel wanted to ‘leave it’. He was outraged, true, but he was also acutely aware of his failure.  He was failing to intercede with the dragon woman, and he was about to fail someone who had just brought a moment of beauty into his dull slab of life.  This monster was too free with her language, bereft of morality, for his dulled mind.  He shrank inside, and he turned away.

“I tell you what:” The woman said; “I’ll make you an offer, dear.  I know the girl has no money, and it’s only a matter of time before she skips; so here’s an idea for you.  I have a love of gold – I can’t account for it, I can’t excuse it, but I do.  Bring me two gold sovereigns for her debt.  Do that and I’ll clear her arrears.  Bring me one gold sovereign a month for her rent as well, if you like.  Think about it.”

Samuel could trust himself no more.  He stalked out of the alley and into the street where, having already outstayed his normal visit to the City, he headed briskly back towards the station.  But he did think about it.  On the train home, on the walk from the station, all through that night he thought about it; and by morning the ghastly woman’s proposition didn’t seem so bad.  It was only immoral, he told himself, if he took advantage of the girl.  If he was merely her benefactor it was an act of charity.

So the very next morning he returned to the City.   A numismatist in a tiny shop by the river who had never seen him before greeted Samuel like a long lost brother, and in no time at all Samuel, poorer by several hundred pounds, was knocking on the big woman’s door clutching two gleaming sovereigns in a desperate hand.

“I do so love that picture!  Saint George, God bless him!”  The woman enthused.  “Now remember – one of these a month!”

Standing on the landing of the second floor Samuel half-hoped the girl would not be at home, yet half of him was equally anxious she should answer her door.  She did.

“I’m so glad to see you again!  Come in!”  She said.

Only when he was inside the room did Samuel realise how little the girl was wearing:  a white shirt that looked very like a man’s shirt, bare legs and feet.  In a stammered sentence or two, he told her what he had done:  as he explained, her eyes became as wide as saucers, until she could restrain herself no longer.  She threw herself against his chest, her arms about his neck as she wept out her gratitude:  “Oh, thank you, thank you, thank you!  There’s so much kindness in the world!”

Samuel had never experienced the emotions he was experiencing now. He had never felt the soft warmth of a young woman’s body against his own, and even the padding of his overcoat could not disguise the sensation of those unfettered curves.  

“It’s nothing; nothing!” He demurred, almost incoherent with embarrassment.”Your rent – um – I’ll – um – just until you get back on your feet, you see?  That’s all.”

Sensing his discomfiture, the girl stepped back:  “You’d do that for me?  You’d pay my rent?  I can’t let you do that!”

“Your landlord and I – we have an arrangement.”

The girl studied him in solemn silence for quite a while.  “You really are very lonely, aren’t you?”  She said.   “Will you come and keep me company sometimes?”

“I – I don’t know if I should…”

“Would you like some company now?”   Her nod towards the door at the far side of the room, the one Samuel assumed must lead to her bedroom, somehow contrived to be at once innocent and suggestive. Samuel coloured immediately.

“Oh, no!  No, I couldn’t – I mean, I wouldn’t…”

She smiled and squeezed his hand affectionately:  “You are very nice, you know; and you are very kind.  A lot of men….”  She left the sentence unfinished.

Samuel turned to leave with a thousand words of his own unsaid.  Where was his courage?  “But if…”  he blurted out,  “if I could come and talk to you sometimes – just talk?”

She laughed:  “Yes, of course.  I would like that!”

 “One thing…”  Samuel said.

“Yes?”

“Your name?”

“Miranda.”

If he had wings he would have flown those stairs; as he would fly them many more times over the coming months.  So light of heart was he that it never occurred to him to ask how Miranda had learned his name, any more than he had asked her landlord how she knew he came so regularly to the City. 

There were a lot of things Samuel Trimble would learn over the course of that winter:  he would, for example, learn to track the price of gold, because the large woman proved to be expertly equipped to do just that:  when the value of the metal fell, she would always take care to remind him of it, and she would accept nothing less than the extra full sovereign to make up her price.

“No half-sovereigns!  Can’t abide them!  No Krugerrands, either.  Don’t you try to get away with that!”

Yet when the gold-price rose the rent was never less than a sovereign.

“Trying to short-change me, are you?  Remember, this is a special price you’re paying!”

He would learn about love.  Gone was Samuel’s twice-weekly routine:  He was so often in the City now he scarcely saw his home.  His visits to Miranda grew more and more frequent, he stayed longer and longer.  It was only natural therefore, that such fast friends should greet each other with a kiss – only to be expected they would hug one another.

Then came the day he found Miranda in bitter tears, and the hearth cold.  She hadn’t enough money for firewood, she lamented, and he told her not to mind – he would pay for the firewood.  That was when, at last, it happened.  Samuel did not go home that night; nor did Miranda want him to.  It was daylight before he left, and when Miranda, with her hands clasped behind his neck, told him:  “You’re mine, now.”  there was something indefinable in her voice.

By February the need for firewood had spread to include food, by March clothing too.  Yet when Samuel gently suggested he might move in with Miranda permanently, or she should come to live with him, she rebuffed him firmly.

“You don’t see, do you?  You’re like an uncle to me: a warm, cuddly uncle who comes to visit!  It wouldn’t be right if you stayed.  I’d feel sort of tarnished if that happened.”

So the affair continued into the heat of the following summer, and the succeeding winter too. Miranda appeared never to have work of her own, though she seemed to have enough money for most of the time, and Samuel never enquired what she did to earn it.  As for himself, he had never been happier:  in fact, before he met Miranda it would have been difficult for him to define what happiness actually was. And yes, he was naive enough, or perhaps wise enough, to accept the course he was set upon without question.   But a financial storm was brewing: his incessant conversion of his scant resources into gold drained his account at the bank.  The numismatist, whose own wealth had increased considerably, began to turn back his cheques – when the numismatist didn’t, the bank did.

In the spring, a slimmer, more worried Samuel began seeking employment.  He tried, really hard, but there were few interviews and those there were went badly.  No-one wanted a self-important middle-aged man in an overcoat and a homburg hat. 

Finally, there came a day the anticipation of which had filled Samuel with dread. 

“There’s no money left.”  He told the large woman.  “I’ve given you all I have.”

The woman stared at him.  “Well then;” she said.  “It seems our little arrangement is at an end.”

Sadly, and a little more humbly than the first time he had negotiated with the gorgon, Samuel nodded and turned away.

“Of course,” The woman said; “The money isn’t quite all, is it?  There is still the little matter of your house?”

“My house?”  Samuel repeated stupidly.  “You want my house?”

“Let’s call it another ‘Little Arrangement’ – ‘Little Arrangement B’, so to speak.  Make over the deeds of your house to me, and we’ll say no more about rent.”

“But where will I live?”   Samuel was so lovelorn by now he would have gone through hell and barbed wire for Miranda, but the prospect of homelessness dropped a cold stone of reality into his over-warmed heart.

“With her, if she’ll have you.  Or you can still live in the house, for a while at least.  Just transfer the ownership to me.  You can be my tenant, dear.  It’s not an entirely unfamiliar status, is it?”

This night, Samuel did not go home.  Maybe in his desolation he hoped for wisdom from Miranda’s sweet lips, some encouragement that would help him find a way back to the surface of his troubled sea.  He found none.   Oh, she wept for him!  She laid her guilt before him, lamented how it had been she, and no other than she, who had brought him to this pass.  But answers?   No.  There were no answers.

“There’s only you.”  He told her:  “I live only for you!”

She said:  “And have you been happy?  Are you happy now, despite it all?  Did I not bring something to your lonely life?”

Samuel, through his tears, had to admit it.  She – she alone – had the power to make him happy.

The next morning, with a new resolve based upon nothing but unreasonable hope, Samuel confronted his solicitors.  Within a month, the dragon would have his house – the house his mother left him, his last ties with a miserable, solitary past.  And he left their chambers with a smile, because he was embarking upon a journey entirely new to him.

“This is my brother.”  Miranda said.  “He has come for the summer.  He’s an artist, you know.  He would like to paint you.”

Her brother was a cadaverous, grey figure with spiders for hands and sticks for legs.  He had a smell of dust and the grave about him, but Samuel sat for him that May, and though the portrait he produced was rather small, it was exquisite in form and detail, so that Samuel could almost see his living flesh move within it.

“He is ready.”  Miranda said when she answered her door one morning in early June.  Samuel had slept at his house the previous night and was not yet returned. 

The large woman nodded:  “He has no more to give us.  It is time.” 

Samuel’s greeting when he arrived that afternoon was not as he expected:  later the numismatist, the waitress from the coffee shop, the two theatrical thirty-somethings, the young couple and the old, old woman would be there too; for the party was in his honour, though he could not know it.  The logs burned fiercely in the hearth and the spit wheel turned.  

 A rich, delicious scent of roast pork wafted right across the City and the old buildings, the old timbered buildings leaned closer to one another, nodding with their own secret wisdom.

You would not find a resident of Samuel’s village who noticed when he disappeared.  Few of them recall when the young woman first arrived at the Trimble house; it is so long ago.  Yet she remains, her exquisite frail beauty unaltered by the years. 

Fewer still have entered that house: a young man or two may be seen there from time to time, but none have stayed more than a season or so.  The older, loud woman who she claims to be the mother holds everyone in fear, so there are not many witnesses to the striking row of little paintings, six in number, that adorn the drawing room wall.  The most recent of those depicts a vaguely familiar image of a plump man in a homburg hat.

Once in a while visitors from the City come.  Then there is feasting at the house and a delicious aroma of roast pork floats upon the envious air. 

© Frederick Anderson 2020.  Unauthorized use and/or duplication of this material without express and written permission from the author is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Frederick Anderson with specific direction to the original content.

Featured Image: Tamegreaves from Pixabay

Continuum – Episode Twenty-Nine: Time to Choose.

In the previous episode:

Acting upon Hasuga’s demand that she remove a book from the City’s Inner Library, Alanee takes the elevator deep into the rock below the city, where she finds the sanctuary of the Book of Lore guarded by Karkus, aged progenitor of  The City itself.   In stealing the book she is discovered by the leacherous Portis, who tries to compromise her in the privacy of the elevator in return for his silence.  She tricks him by summoning Ellar to call the elevator,and escapes, leaving Portis to explain himself to the Mediant.   Now read on…

Alanee knew she had only a few minutes lead on events.  While she put as much distance as she could between herself and the elevator, Portis would, with difficulty, be persuading the Ellar the Mediant of his innocence and of hers, Alanee’s, culpability – he may not succeed on either count, but Ellar, meticulous as she was, would want to cover herself very quickly, so swift pursuit with the object of investigating any possible theft was inevitable.

Later, were she given time, Lady Ellar might review these events and wonder.  Why had Alanee’s summoner message, tapped out blindly:  “Help call lib elev”, reached her rather than any other member of the Council?

  She might wish that it had not.  She will not know that Alanee’s inexpert fingers hit her call-button purely by chance, because beneath the folds of the robe that seconds later she would shed she could neither see what she wrote, or to whom she addressed it.  It was only essential that someone should call the elevator, bring it up to the high corridor.

The Book?  Ellar never saw the book.  It was beneath Alanee’s robe when she recovered it, concealed from sight as she clasped it to her, running away through the scattering of nobles who frequented the corridor at that time.

Later, Ellar might discover these things.  Just as she might investigate Portis’s frantic claim, made while he sought to cover himself:

“It is a device Lady!  She has stolen a book!   Detain her, for Habbach’s sake!”

She might believe him.  Anyone witnessing this scene in the corridor might, if Portis’s habits were not well known, if his tastes were not public knowledge and if the physical evidence were not so compelling.  It is a balance of probabilities, as all things are, and it weighs in Alanee’s favour for just long enough.

Alanee bursts into Cassix’s chambers, where Sala awaits her. Saucer-eyed, Sala takes in her friend’s undressed state.  “Je-Habba!  What happened to you?”

“Sire Portis got a little too fresh for his own good.  I’m all right, ba, don’t worry, or I will be as soon as I get some sensible clothes.”  She senses Sala’s nervousness,  “But you’re upset, aren’t you?  Is there something the matter?”

In the bedroom, Alanee throws her robe and the book upon the bed, quickly slipping into a Hakaani-style tabard she had commissioned from the dressmaker.  She shudders:  “I wish I had time for a bath, I don’t think I’ve ever felt this soiled.”

Sala stands in the doorway.  “What’s that?”  Her eyes have rested upon the book.

“I’ve no time to explain right now.  I’ve a head start on the guards, I think: no more than that.”

Sala’s stares at the little locked volume: her eyes follow it as Alanee picks it up and slips it into her clutch bag.  Alanee reads her thoughts.  The friends both pause in shared significance.

“Is that from the…?”

“From the Inner Library?”  Alanee is tying the thongs which secure the sides of the tabard;  “Yes, it is.”

Sala’s summoner is blaring:  she stabs at it, holds it up to the light.  “It is the Lady Ellar.”

“Don’t answer it!”

“Alanee, she’s my patron!”  Sala protests; “But it doesn’t need an answer, darling.  It’s an order.”  She displays the read-out for Alanee to see.  The message says:   “KEEP HER THERE.  You stole that book, didn’t you?  Alanee, they kill you for that!”

The pair exchange looks.  Alanee says:  “So, now.  Your patron or your friend?  Time to choose, ba.” 

Sala nods solemnly.  “That’s a choice I’ve already made.  I won’t keep you, but have you seen the mirrors?” Alanee is making for the door, intent upon completing her mission by placing the book in Hasuga’s hands; “Take a minute to look at this first.  Please, ba?”

She urges Alanee around the mysterious and, to her, a doorless wooden edifice, guiding her into the leather chair before the trio of mirrors.  They are alive with reflections; reflections of carrion birds circling, people racing blindly as deer before a forest fire; dying people with terror, mortal terror in their faces, muscles taut as steel hawsers, drooling mouths and bulging, sightless eyes.  There are thousands, the running and the dying, thrown into stark relief by flashes of brilliance from a furious sky.

‘Have you seen?’  Hasuga is in Alanee’s head again.  ‘Do you understand?’  Alanee does.  Now, before these images, she understands it all.  ‘Bring me the Book.  I must have it in my hand, Alanee.’

Fighting her fear, she tells Sala.  “The book must be returned to whom it belongs.  I have to take it to him.  If you believe in me you must wait for me here, ba.  Do you see?  I will return.”

Sala calls after her:  “This.  All this.”  She waves towards the mirrors.  “It isn’t real, is it?  It’s just necromancy, witchery.”

Alanee smiles kindly.  “Is that what you want to believe, ba?   No, the mirrors speak truly.  That is the Continuum, and our time has run out  Be patient now, I won’t be gone for long.”

“The guards will come.  Ellar will come!”

“Tell them you tried to detain me, but I fought you off.  Stay here if you can, darling.”

Since her arrival, Alanee has not had opportunity to explore the links from her high station to the lower city, and she knows of just one route to the Palace.  By winding her way through back alleys, past drinking halls and night club areas that are sweeping up from the business of the night before, she hopes to evade any troop of guards Ellar or Portis may send in her pursuit.  She loses herself twice before a chance diversion delivers her onto the forecourt of the great palace building.   Taking a deep breath and concealing the book as best she can, she steps into the open.  Although she may feel a hundred eyes boring into her back, she is safer than she expects.  In the event most of the city’s elite are about their daily tasks and word of her little drama with Portis has not yet reached this level.  Any remarks she overhears refer to her status.

“I believe that is Lady Alanee, our new Seer!”

“So young!  So young!”

“Exquisite!  Quite exquisite!”

When she steps into the Great Hall of the Palace, however, the atmosphere is quite different.  Here the hustle and bustle of the day is in full swing and seemingly more frenetic than its usual pace.  She is recognised here too.  A few greet her, some ignore her, all look curiously at her disrespectful form of dress.  When she reaches the private elevator that rises to Hasuga’s high rooms, this becomes an issue.  A royal drab steps across her path.

“Lady?  What business have you here?”

“I’m appointed to meet with Sire Hasuga.  You know who I am?”

“You are the Seer, Lady.  But your clothes are inappropriate to the inner sanctum.”

“The matter is urgent.  I had no time to change.”

“Nevertheless…”

“Step aside, man.  Lady Alanee has Sire Hasuga’s full authority.”  She identifies that voice immediately, spins around in some confusion.

“Celeris?  But how…?”

His smile is as placidly beautiful as ever.  “Lady, I am always at your service, surely you know that?  You must forgive our over-zealous friend here:  the place is in turmoil.  There is a rumour that Sire Portis is under arrest, and Sire Trebec is to be brought to trial for genocide.  The High Council is in utter disarray.  It is what you might describe as a ‘bad morning’ really.”

He steps closer, so she can inhale the sweet scent of his breath, whispers to her.  “You see?  Even a hologram has its uses.  Actually, my dearest memory, this is the last time we shall meet.  Be well, Alanee.”

The elevator doors are open behind her.  Before she has time to protest or give tongue to her anger, (or would it be love?) Celeris walks away, vanishes in the hubbub of the crowd, leaving behind him an emptiness of parting.

As the doors close and the pod of the elevator raises her to Hasuga’s royal apartments she tries to confront the riddle of Celeris.  Who, or what, was he?   Substantial enough, this she knows:  no ghost, no apparition.  Then what – a part of her that she might summon in times of hopelessness or hope?  How could a life be brought to existence purely by her need, then cease until next she needed it?  How could space be created in time for such a materialisation, and what would be left each time it departed?  The process of deduction begun before the mirrors is developing and each new revelation is another shock, another open mineshaft into darkness.

He is where he always sits, upon his bed.  The room is empty.  The serpentine machine is gone, the screens are still and lifeless.

“You have the book.”  It is not a question.

Alanee takes the book from her bag, offering it to him, arm outstretched.

“No, not yet.”  Puzzled, she steps back.  How pale he looks, how thin and drawn!  The mighty complex of his brain that always seemed to pulsate with inspiration is unillumined now, as if some part of him has already left his body.

“I thought you wanted it, you said you could open it, read what’s inside.  Now you don’t?”

“I know what is inside.  As do you.  You read it when you took it in your hands, and yes, you must give it to me, but not before you know its name.”

“It doesn’t have a name – not on the spine, not on the cover – look!”  She proffers the volume, and almost at once she wishes she could retract her words, for there is a name – embossed in gold letters, where before there was nothing.  In some wonder, she reads the title aloud.

“The Holy Bible.”

Hasuga says simply:  “We are done here.”

“You make no sense to me. This makes no sense, none of it.  There is some plan, some scheme.  If I am a part of it, shouldn’t I be told?”

“Alanee my dear one, I have said to you not once but many times that I am learning.  All the knowledge I have gained is in your head too, though you may not countenance it yet.  I do not know what will happen to you next, only that if you are given the opportunity, you will also learn.”

Hasuga rises to his feet and steps closer to her, so she may see his eyes, and the conviction within them, as never before.  “It is all there in your mind – all the history, all the reality.  As you need it and if you need it you will find what you seek, dredge it out.  Think of your mind as a great library filled with books , all of which you could not possibly find time to read.

“So, what now?”  His smile is suddenly so reminiscent of Celeris.  “Well, that is the next great discovery.  When my hand closes around that book, a circle is completed.  Then we shall both discover the truth.”

Hasuga extends a thin left hand, clasps her free hand within it.  “We shall not see each other again.  Go now.”

And with his other hand, he takes the book from her grasp.

The heavens scream.

Long ago, when Alanee was very young, the earth shook itself as a dog does when it clambers from the water.  Her mother pronounced it a ‘tremor’ and dismissed it, but to Alanee it was a fearful episode; a profusion of falling plates, rocking furniture, cracking plaster from the walls.  She remembers it.  So the feeling of the palace in motion beneath her feet is familiar, and were it not for the time and place, she might dismiss it as her mother did.  But there is a greater wrongness within it that speaks to her, something that demands she run.

“Quickly, Sire!  We must get away!”

Hasuga only smiles:  he smiles, then, like Celeris in her chambers, like Saleen before Ripero’s outstretched hands, he is gone.  The room is gone.  The apartments, the entire palace is fragmenting, with no cry, with no thunder of masonry or spike of flame – without any blinding fog of dust:  just a distant whine of something coming;   something absolute …..

Filled with horror, Alanee turns towards the door:  but there is no door, there is no wall.  For a fraction of a second the great hall of the palace is in its place (how is she here, rather than three storeys above?) but then that, too, disappears:  Toccata’s tsakal house materialises with Toccata standing within it, his face a white mask of despair.  His expensive hangings are falling in a whirlwind, yet he still reaches out to her, mouth moving in a soundless greeting.  In turn the ante-room to the council chamber, then the palace courtyard fly about her head – images of places she knows, faces she remembers, shuffling like cards in a deck.

Somehow she is running, she knows that, though her feet do not seem to move; passing through the courtyard, the Grand Park, the malls, her old apartment, all with the desperate desire to find her way back:  back to Sala.  The one thing, the one person vital to her.  She must rescue Sala.

Is it her?  Is she in some kind of dream?  Only that unremitting sound, growing steadily, seems real.  The City has lost its order, its structure:  it is coming to pieces.  Nevertheless somehow she is finding her way.  Something in her psyche guides her, makes sense of the moving maze in such fashion that she finds direction when all direction has been lost.  A thread within her follows a thread through the mayhem and that should be sufficient – would be – were it not for Mother.

Mother, cheated by her beloved child and screeching out her loss in a paroxysm of fury:  Mother with hyena-teeth bared and long knife aloft comes whirling from the mists of confusion with one thing only in her contorted mind; to take the life from the one who took Hasuga from her – Alanee’s life.

Before she can defend herself Alanee is thrown to the moving ground with time to no more than twist away from the first strike – the second she cannot avoid.  It plunges deep, it strikes like an rod of fire into her thigh and instantly her blood starts pulsing through the wound.  This is death!  She takes the third strike on her arm, catching the raw blade enough to turn it on itself.  With a strength born of mortal peril she thrusts the demented woman from her, grabs the hand that has the weapon in its grip.

Now a real struggle begins.  Mother has the knife, would thrust it into Alanee’s heart, but Alanee holds her by the wrist and is forcing it back.  Mother is finding her feet, trying to rise.  Alanee feeling her strength flowing freely from the gash in her leg has too little time.  It must be now!  The woman’s hand is pushing this way, her balance is swaying that.  Going with her movement, going against her poise, one thrust.  The knife goes where the knife chooses, and it chooses Mother’s throat.  The woman who devoted her life to care of the Hasuga child ends it by her own hand, by Alanee’s guidance.  Her windpipe severed and emitting bubbles of blood, Mother sinks to the floor, thrashes there for a second or two before dying.

Alanee’s rising vomit would choke her.  With no time for ceremony, she snatches Mother’s robe, using the bloodied knife to rend a strip from it.  She binds her leg tightly, so tightly she has to suppress a cry of pain.  Aghast at the pool of her own life that has already formed upon the switchback floor, she limps forward:  still hoping, still searching.  She promised she would not be long.  She promised she would return for Sala.  Her leg is ruptured, the muscle in her arm is slashed, disabled by the same knife; but she must find Sala.

The task is insuperable, random scenes passing before her so fast she can achieve no sense of direction.  In neither light nor darkness, she does not know where she is going, she cannot find anything constant to cling to.  The noise which pursues her is incessant now, an animal, an all-devouring thing.  People are scattering everywhere:  Ellar flits by, Trebec, the Domo.  And all the while her strength ebbs.

Utterly despondent, she ceases to try.  The hopelessness of her state, the certainty she will die before she ever reaches her friend overcomes her.  Whatever is happening to the city will consume her too.  There is no redemption, no answer.  There, amidst a rolling barrel of destruction Alanee drops to her knees and submits to fate.

Behind her the Continuum roars louder, a focussed beast sensing prey.

© Frederick Anderson 2020.  Unauthorized use and/or duplication of this material without express and written permission from the author is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Frederick Anderson with specific direction to the original content.

Image credit: Kristen from Pixabay

Continuum – Episode Twenty-Five: Apparition

In the last episode:

Alanee, now officially the city’s Seer, is introduced to Cassix’s old apartment, and its peculiar array of wooden structures, artefacts, and mirrors.  She is sad to discover how her promotion has altered her relationship with Sala, who makes it plain she must act as Ellar’s eyes and ears.   In the midst of her depression, Celeris visits her, raising her mood, and they spend the night together.

Meanwhile, beside a river far away…

Dag Swenner’s body is healing well; a heat that spreads within him brings balm to each organ and limb, making each torn place whole, as though by needle and thread it is stitching him back together.  Although he was on the brink of death, by some mechanism he cannot understand he is no longer dying:  He has felt stronger, true, but minute by minute his vitality grows.

The stench has been intensifying, drifting upriver on the wind for more than a mile now, so the discovery of Ripero’s remains, though hardly recognisable from the scavengers’ touch, comes as no surprise to Dag.  His first instinct would be to seek a burial place, but here among rocks and tree-roots, lacking any appropriate tools, he would find none:  so he comforts himself with the evidence that Nature will take his rescuer to herself.  All he can offer is a prayer for a soul already departed and this he does. He clambers by, greeting the new air thankfully.

Beyond the river bend the valley widens, where hills to either side sweep back, and tree cover is forest no more, but tranquil woodland.  There is no tread of civilisation yet, but Dag expects it will not be long before he finds ground given to fields, a trodden path, the creatures of domesticity:  he wonders then what sort of welcome awaits him – whether those who slaughtered the Dometians on the plain are intent upon his death, too.  Whose company may he safely seek?

#

Alanee’s disappointment at waking to find Celeris’s space in her bed unoccupied is brief:  after all, he was with her into sleep and she is sure he honoured his promise.  She has slept late upon her draught of paia and loving contentment – now there are the challenges of a day to be met.

Tsakal in hand, she taps out the bookseller’s number on her summoner.  He sounds chagrined.  “Lady, you are a hard task-master.  Yes, it is ready, but the glues must dry and the lock must be added.  I shall have it completed by three.”

“Very well – thank you.  Please place it in a plain box, then wrap it and have it sent up to the Seer’s chambers.  No-one must open the wrapping or discover what is inside.  I want it as a surprise for my coupling.”  She knows this last excuse sounds lame, but she despises the need for artifice and is beginning to be careless of it.  Besides, with Celeris so fresh in her thoughts, Hasuga’s schemes have suffered something of an eclipse.

Thus, with the matter of the faked book in hand, Alanee has time to reflect upon her night with Celeris.  The warmth of his memory remains with her:  his way of touching her, his consummate skill as a lover – how quickly he has learnt!    A door chime disturbs her reverie.  Sala stands outside.

“Are you going to admit me this time?” 

“Yes, I’m sorry.  Do come in, ba.”  Alanee adds, defensively,  “He isn’t here.”

Sala nods, dourly,  “I know he isn’t.”

“You know?  You saw him leave?  I thought we agreed there were no cameras in here!”

“There are none in the chambers.  But there are several in the corridor outside and one cannot move about the upper levels without surveillance. That’s nothing new – simply the way it’s always been.”

“I see.  What time did he go?  I wasn’t awake.”

Sala is looking at her curiously, as if she is trying to apply reason to something that doesn’t quite fit.  All the evidence before her is of a woman who has passed a night with a man; and yet….

“He hasn’t left.  He hasn’t left because he never came.”

Why does the cheap response in Alanee’s head make her want to smile?  She avoids it.  “Well, I’m sorry you missed him then…”

“I reviewed the surveillance after you turned me away and again this morning.”  Sala puts her hands on Alanee’s shoulders; “Shortly after I left yesterday, you came to the door again.  You opened it, but you did not step outside.  You shut it.  Later, drabs came – to clean for you, I assume.  They left two hours before midnight.  Meantime you had food delivered from the Caldeg Restaurant down the corridor.  Then I came to see where you were and you shut the door in my face.  No-one else has been here, and nobody has left.  I’m the first one through that door since the drabs left you last night.”  Sala exhales, as though she has expended all the breath in her body.  “Now I’ll have a cup of your tsakal.”

Alanee cannot resolve the confusion in her mind.  In the kitchen, she stumbles around clumsily as she puts the tsakal together, unable to think.

“That can’t be,”  She protests:  “Celeris was here.”

“Alanee!  The truth?”

“Why would I lie to you?  He must have some way – he must be able to deflect the cameras. The drabs: ask the drabs:  they saw him here.  The food delivery man; ask him.”

“Yes, we did ask him.  You accepted the food at your door:  he saw no-one else.”

“But Celeris was standing right behind me…”

“As for the drabs, there is something odd there, I admit.  They were all personal servants of Sire Hasuga, not normally the grade of worker assigned to cleaning duties.”

“Did you ask them?”

“We can’t.  They’re nowhere to be found.”

“What?”

“They’re Sire Hasuga’s own complement, so he may dispose of them as he wants.  He seems to have – well – disposed of them.  We can’t track them down anywhere in the city.”

In Alanee’s mind there is a truth too awful to contemplate.  She is so preoccupied she fails to notice how Sala’s pallor, as she stands in the doorway facing her, has changed.  She does not see the mediator’s colour drain from her cheeks, or her wide, disbelieving stare.

A soft voice speaks from behind her left shoulder.

“You see me now.” 

For a second time in a day, Sala’s self-assurance fails her, as a young nobleman, dressed in all the formal regalia of the city, materialises from empty air.  At just this moment Alanee realises how she has brought Celeris to her: she, and someone else.  And that someone….

“It is you, isn’t it?”  She says.

Celeris answers:  “You already knew that.”

“A hologram!”  Sala snaps triumphantly.  “A bloody hologram!”

Celeris smiles.  He takes the cup of tsakal Alanee has prepared and brings it to Sala.  He offers it to her shaking hand, and when she seems about to drop it he closes his own hands around hers, steadying her.

“Can a hologram do this?”

Agape, Sala cannot speak.  She cannot look at him.  She sinks back against the jamb of the door, trying to find her legs.

Alanee says, quietly and levelly:  “Sala ba; greet Hasuga in one of his more attractive disguises.  He also does a Music Man, if you’ve ever met one of those?”  And of the beautiful man, she asks, stone-faced:   “How did this happen?” 

“You thought of me.  You are troubled.”

“I make you appear?”

Celeris’s smile is suddenly quite child-like. “You and I, together.  Part of me may be Hasuga, but Celeris is how you prefer to see me, so I am partly you.”

 “You found your way – into my mind?”

“We both knew it would be so.  Lady, I am The City.   No-one is immune, not even you.”

 “And so,”  Alanee voice trembles:  “You can turn my own mind against me?  You can just use me?  You can do that and I will just lie there and…and….you can violate me and nothing can stop you?  You can make flesh that isn’t real?”

“I am real enough.  You could have rejected me.  You did not.”

“This morning, you deviant, I was debating in my head how I might be in love – in love – with you!”  She spits out her words:  “You made me love a fake, you bastard.  From the fake bloody music in my head to the tailored-to-fit body to the marvellous bloody mind – all fake, fake, fake!

She hurls the tsakal cup that she has made for herself.  Celeris catches it calmly.  “You would not accept me in Hasuga’s body.  You are uncomfortable with that.  This body is defined by the image in your mind.  You chose it.  Do you know that for each of my thousands of years I have never once thought how my body must look, until these last two cycles?  Do you know how it feels to experience so many new sensations?”

Sala – where is Sala?  She has retreated.  She sits upon the edge of Alanee’s bed amid the ruck of unmade linen with head in hands.

In her kitchen Alanee is in full spate, somewhere between fury and bitterness, mortification and pure depthless misery:  “Oh!  And I’m meant to sympathise, am I?  I’m meant to understand?  Suppose all I see is the spoilt brat who gets what he wants? Who always gets what he wants?  A spotty adolescent who plies my heart with tricks because he can and because it doesn’t matter to him – I’m just another ‘good game’.”

Out of breath, Alanee has to pause, clutching at herself to squash the emptiness inside.  After all, how can you teach propriety to a child who has been pampered and spoilt for millennia?  Where do you begin?

The dark-eyed figure is of Celeris, but the words are clearly Hasuga’s.  He asks, without artifice:  “I have done wrong?”

Alanee replies in crystals of ice.  “I think that’s been the essence of the conversation so far, don’t you?  Hasuga, you deceived me!  You made me believe I could become close to someone again.”

“As in ‘love’?  That is some special thing?  My Mother often spoke of it.”

“No.  Not that kind of love.  Adult love;  mature love.”  Oh why is she explaining this?  What on earth difference can it make?

“Procreation, then?  That I understand.”  Something in his reply does not balance with the unfeeling expression on his face.  Alanee sees it.  Has she struck a chord at last?

“You know it’s more than that.”

But he shakes his head and turns away.  Perhaps to hide some manifestation of guilt, though Alanee cannot know it, and the moment, as so many of the great moments in her life since she entered The City, passes

Her fury has calmed, leaving a cavernous rancour in its wake.  She is probing through darkness she experienced once, three years ago, and which she had wished never to revisit.  Now it is here, closing around her, such that she cannot avoid the bitter edge in her voice.  “Well, at least Sala’s convinced of your veracity now, and she’ll not keep the information to herself.  How are we going to explain that away to my enemies in The City, Hasuga?”

“I am not Hasuga.”  Celeris insists.  “Hasuga is separate from me.  I am a creation of you and Hasuga together.  Hasuga may speak through me, and you may speak to Hasuga the same way, but we are not the same physical entity.”

“Somehow that seems to make very little difference.”

“Very well.  Sala will not remember me when she leaves here.  The memory remains yours alone.”  Celeris takes Alanee’s hand.  She snatches it away.

“Don’t touch me!”

“Is touching so abhorrent?”  He frowns.  “As you will.  This message, Alanee, does come from Hasuga.  You must bring him the book.  The matter is urgent.  If you do not believe this, see as only you can see.  Look at the sky.”

“The book!  The book!  All that matters, then, is that I bring him this book that he is not supposed to read.  If you can materialise as real people and blank Sala’s memory for her, why for Habbach’s sake do you need me to fetch your bloody book for you?  You can dream up a High Councillor to just walk into the Inner Library and take the thing, can’t you?  Or an army?  Why not an army?  You like war games, it should be simple for you!”

“No, not simple.  You, Alanee; you alone must bring that book to Hasuga.  When you do it, you will understand.”

Alanee says dully:  “There is nothing I understand any more.  Tell him…you…whichever you are, I’ll get the book.  As for Celeris, I’d like him to leave now.  I don’t want to see him again.”

She turns her back on him, unable to look at his innocent expression for another second.  When she turns again, he is gone. Inside her head, though, his image remains:  is it also still inside her heart?

She discovers Sala in her bedroom, seated on her bed.  She feels compassion for the woman who was briefly her friend, although she believes she may never cross the wasteland that separates them again, because Sala is clearly ruined in spirit.  Her incomprehension of what has passed haunts every word she speaks.

“Who – what was that?  Man, machine, what?   Have I just seen Habbach come to earth, Alanee?  Is that what I just saw?  I mean…”  She spreads her hands, lost for speech.

“You met with Hasuga, or a least a part of him.”  Alanee sits beside her, taking her cold hands in her own.  “Sala-ba, when you walk away from here you’ll leave the pain behind, but maybe, I don’t know, you’ll see how things are.  How they must be.  Maybe that, if you can retain it somewhere, will be just enough to persuade you to think better of me.  That’s all I can hope.”

Sala inclines her head, takes her hands away.  The distance is restored.  “My life is simple, Lady Alanee.  There are things I do not want to see.”

Sadness upon sadness, then.  Alanee nods, helps her rise, sees her to the door of the chambers.  There she stands to watch Sala walk away, wondering if Celeris’s promise can possibly come true:  after all she has heard and seen, will Sala remember nothing?

Left alone, she goes to the kitchen, needing the distraction of some functional thing to dissociate from thoughts that are not welcome, places in her mind she feels she may not go.  So she makes tsakal for herself, cleaning up the mess she created when she threw her original drink at Celeris, preparing xuss bread even though she has no appetite, and nibbling at it as if it were a comforter.  She makes her bed with fresh linen, takes the sheets she shared with Celeris into the kitchen.  There, she drinks her drink and she contemplates the soiled linen for a while, as though it might give her answers to those elusive questions loitering outside the gates of her consciousness.  Then she takes a knife and shreds the sheets methodically.

Returning to the forbidding, unfriendly reception room she ponders that silver orb upon its stand before the window.

‘Think of it as a sort of exercise for the psyche.’ Celeris had told her:  when she had commented on its extreme weight, he had said, ‘Not for you’.   But whose words are whose, now?  Are they her own, from some inner ear?  She does not want to go there:  instead, she sits before the ball upon one of those unyielding chairs.  She thinks of the Book of Lore at its station in the Council Room: how, merely for interest while Portis and Ellar were talking, she raised it from the surface of the table with just the power of her thoughts, then lowered it again.

“So now you.”

Without any particular effort of concentration, she makes the orb rise from its stand.  It hangs, suspended, as if waiting for her command.

“Easy.  Too easy.”  

Now she focuses her thoughts upon it.  She makes it spin.  Gaining in confidence, she moves it laterally, away from its resting place, across the room.  This is more difficult, as though some relationship exists between ball and stand that may not be easily severed, but she finds a thought – resentment of the misfortunes of the past hours – that releases it.  Of a sudden it flies, leaping high into the ceiling of the room, darting towards the window.

“Whoa!”  Alarmed, she shoots out a defending hand, making the orb stop instantly.  Another discovery:  the hand is a sensitive, precise tool; by pointing at the orb, she can make it obey.  Alanee guides it back to its stand and as it settles, the wood flexes beneath its weight.  Still she cannot believe what she has done.  She wraps her arms about the orb, tries to lift it physically.  It will not move.

“Was that me or you?”  She pokes the question at empty air, but she knows Hasuga will answer.  He does.

“It was you.”

The voice is so close, so immediate she glances around, convinced that Celeris has returned.  The voice, though, is unmistakeably Hasuga’s.  “You are here?  Where are you?”

“Wherever you want me to be.  We need not share the same room in order to communicate.”

It dawns upon Alanee that Hasuga’s replies do not come to her through her sense of hearing.  She says aloud.  “So now I can move things with my mind?”

“Telekinesis; a cheap party trick.  Nevertheless it took Cassix twenty years to achieve a fraction of your success.  That is just a beginning.”

“Oh, yes.  A beginning?  Where is this going Hasuga?  Am I learning from you, or are you controlling me?  Like the book in the Council Chamber?”

“You are learning.  I told you I had given you power, didn’t I?  Now you are gaining the knowledge you need to use your power.  Meanwhile I am learning from you.  You can have no idea how much I have to learn; or how little time there is to learn it.”

“Why such an obsession with time?”  Alanee, from the Hakaan, has never been disposed to rush.

“Look at the sky, Alanee.”

“I’m looking at it!  I’m just seeing sky.”  The view from the window is of grey cloud.  There are rain-flecks on the glass.

“Look in the mirrors.  Gain their trust.  I must leave you now.”

The feeling is of a switch being thrown inside her head.  Suddenly she is alone and aware of it, left with the room’s cold echoes.  The walls rise about her like the damp rock flanks of a deep chasm, a fissure in the construction of the City.  She might even imagine the scent of moss, or the rhythm of dripping water.

Freedom of choice; if she really has power she has the strength to step aside from the path they, Hasuga, the High council, Sala, even Cassix would have her follow.  She stares at the triptych of mirrors.  With great deliberation, she turns her back.

© Frederick Anderson 2020.  Unauthorized use and/or duplication of this material without express and written permission from the author is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Frederick Anderson with specific direction to the original content.