Satan’s Rock

Part Seven

Schemes and Dreams

In a night of troubled dreams, Francine could manage only fitful sleep.  Her heart could not allow her to forget the warmth of Arthur’s enfolding arms, or how natural it had seemed, even though the mere recollection brought a flush of embarrassment, that she should seek refuge there.  Her head was filled by murmurings, strange conversations in words she could not quite detect, invitations that defied all reason in their insistence.  They called to her, awakening her time after time, growing ever stronger as the night passed.  In the early morning while all but a few of the servants in the house were still asleep she yielded to them at last:  she rose from her bed and slipped stealthily through the corridors of the Guest Wing, out into the darkness.

Once out of doors, the sounds in her head left no doubt: they emanated from the place in the park where the old oak had been blown down by a storm.    Oblivious to the dangers of the lingering darkness, she found her way on slippered feet through icy April rain  back to that great overturned giant,   The first vermillion glow of sunrise broke through the clouds to discover her at the brink of the wide pit left by the uprooted tree, staring down into the abyss and its exposed foundation rock.  Now so close, the urge to find union with that unyielding stone was irresistible.  Francine began to clamber down, an enterprise that, even had it been pursued with caution would have proved impossible on feet wet from the grass.  She had no thought of caution.   Within seconds her balance escaped her and she fell.  She fell so her head cracked against the stone and her arm doubled under her.

There was pain; a searing scream of protest wracked her injured skull; but it abated almost immediately.  Neither did her twisted arm complain for long:  where she lay against it the rock’s warmth, if that was how it could be described, flowed into her like balm, inducing her to seek more from its embrace.   This, it seemed to tell her, was the place she was meant to be.  She did not question it.  It offered the solace she needed so badly.  

She had been lying there how long?  Who could know?  The rain had ceased and the sky was becoming light, a morning chorus of birdsong surrounded her, yet she did not hear it:  all she heard came from beneath her; from the rock itself.   Words, indistinguishable at first, then drifting around her head like those that had invaded her sleep; so much stronger now, so much more assertive.   So much like those strange utterances she had shared with Arthur at the Bleanstead lighthouse as the sea beat in upon them that wild morning, when she had spoken of their experience as being ‘real’.  These, though, were not her own words; they were the words of a young voice, a female voice:

“Wow!    Are you weird or what?” Some other unintelligible words in the same voice, then a male response.

“I so did not!  I was a bit freaked, that’s all…”

#

Peter, his mind still filled with visions, had been ushered back to the room where he and Alice had first met.  Vincent had parked him on some cushions as a seat and Alice, kneeling in front of him, was trying to engage his eyes.  She did not seem quite as furious as before.   “Do you know where you are?”  She asked him.

“I don’t.”  Her hand was on his knee.  He didn’t like it: there might have been no threat, but those fingers, those tentacles were like a cat’s claws, ready to dig into his flesh.    “There seems to be a clock. I keep seeing a clock.  I can’t read the time from it – it’s all liquid and sloshing about…”

“Town, city?  Like London?   Like Big Ben, or something?”

“No, I don’t think so.  It’s just a clock face, only it’s old; like, ornate hands and everything…”

Vincent was further across the room, pacing.   “A street on its end, part of a big place like a city, a clock.   Don’t worry about it Pete, it’ll come through.  Describe the people you saw.”

As he told his host of the woman whose pain had reached into him, the angry man and the black figure of despair, Peter felt a return of sensation, as if, his head gradually clearing, something new, something dark was revealing itself.  He began to view Alice differently – there was an elusive part of her he had to reach, and for a reason, although he could not grasp what the reason was.

“It’s a strange thing – I never had this happen before.  I’m really sorry!”  He said humbly.

“No, mate, you don’t need to apologise!”   Vincent was magnanimous.  “I’d like to say it could happen to anyone, Pete, but that wouldn’t be true.  Listen, I think we should take you home now:  I’ll get my bloke to bring a car round.”

The red Aston Martin which arrived at the great doors to take Peter back to the mainland was impressive enough to allay his regrets at leaving.   Alice stood beside Vincent under the Arch, watching him leave.   Again, as he said goodbye, Peter experienced that urge to say something left unsaid.  But there was a menace in Alice’s beauty which deprived him of speech, and after a few hesitant mumblings he withdrew into silence.

Alice watched him go, ignoring the faint churning she had felt in her stomach when she caught his parting look.  “A street on its end?    A clock which could be from anywhere?  A woman in some sort of trouble and a big sad guy?   Okay, Vince, how am I going to explain that to my people?”

Vincent hugged her shoulders:    “You’re not, are you?  This is very much our bird, innit?  Look, darlin’, I told you he was special, didn’t I?  And I was right, yeah?”

“So why, if he’s that special, are you just letting him go?  Vince, this is really urgent!  We don’t have any time!”  Alice spelled the words out to him, slowly, as if that would penetrate what she saw as density in his head:  “If there is something there, I need to know it now!   Why not just get him back and sit him on that rock until he sorts out what street, and what city, and who the hell is the giant guy?”

“You get so, so uptight!”  Sighed Vincent.  “Just now you were accusing me of abducting a minor, now you want me to!  If we put him through that again now, he would probably go insane.  He doesn’t understand what is happening to him yet.  Maybe he never will.  But I know this much – if he comes to the answer, he’ll do it in his own way, and his own time.  We can’t rush it.  Besides, I don’t think he’ll be working alone.”

“How do you mean?”

“I didn’t say he had to be the only one, did I?”

Peter sat holding his breath as the man he had met at the gate, now his chauffeur, steered them carefully through Crowley’s tunnel. He felt he was still too close to everything that had happened to even try to make sense of it all:   maybe Mel would help him do that if they could meet up on FB tonight.   Meanwhile, Vincent’s parting words to him still reverberated in his head.    The rock guitarist had gripped his shoulders so as to make him look straight into his eyes as he said them.  Vincent was being ree-ally serious.

“Listen carefully Petey, alright?   Sort out that dream, yeah?  And when you have – when you can tell me what it means, or even if you’ve got an idea of what it might mean, whatever time of night or day, you call me immediately.   Doesn’t matter if it makes no sense to you, if you just feel like it’s an answer, ‘phone me.   I’ll be waiting.    Now, here’s my number.   Keep it safe, yeah?”

Avoiding college that afternoon did little to improve Peter’s cataclysmic sense of something that was just beyond his range of vision:  something black and somehow threatening.   He wandered aimlessly through the remains of his day, unable to concentrate, frightened to revisit his dream.  The recurring image of the dark man, so all-consuming and melancholy, loomed like a thunderhead over everything.  

“Petey?”  His mother looking in through the door of his room, gently concerned, seeing that something was wrong, but wise enough not to intrude.  “Are you ill, love?”

“No mum, I’m fine.”   Lena did not persist.   “If you need us, you know where we are.” She closed the door.

Mrs. Cartwright: Lena.   Graduated from ‘The Slade’ with a fine arts degree, met Robert Cartwright at a ‘Varsity ball in Cambridge when he, a student of theology and a little younger, was still an undergraduate.  Lena had been a mysterious, introverted companion; given to sudden outbursts of exhibitionism which were the more remarkable for their unexpectedness.   Bob was as radical then as now, by no means a convinced student of the conventional theologies, or, as he would put it:  ‘Trotskyite religion’.   They remained friends, she painting and establishing a reputation for herself as a graphics artist, he a struggling Anglican whose worldliness was forever in question.   Nevertheless he achieved his Doctorate and, when the Levenport living was offered to him, proposed to Lena.   She gave up a promising career to become the wife of an irascible and altogether unconventional priest.   They were, with certain reservations, dutiful parents, doting on each other and upon their only son:  but they rarely showed, and never spoiled, with their affection.  Peter was who Peter was:  a lonely child but a well-adjusted one.  Robert was a faintly dysfunctional father, perhaps, possessed by demons of a practical nature:  Lena at times very much the artist – self-obsessed, demanding, often terminally depressed.  Yet she still painted: it was the income from her art, rather than Robert’s living, which kept their lifestyle ticking over.

Once he was sure that he would not be interrupted, Peter turned his computer on and used the keyboard to text Melanie, describing everything he could remember of his day.  She called him back at once.   “Wow!   Are u weird or what?  Did you, like, throw up on his carpet or anything?

“I so did not!  I was a bit freaked, that’s all.”

Melanie thought Alice should have impressed him,  “What was she like?  Describe her for me.  Was she sexy?”

“Alice?  What care I what Alice was like!  Tall, black hair – could have done with a comb…

“Heavy eyebrows, big nose, sort of long?”

“Not that big!”

“Alice Burbridge!”  Melanie cried, triumphant,  “I bet it was Alice Burbridge!  She’s dead famous, Pete!”

“Yeah, right! I kind of thought she was going to stab me, some of the time.   Tell me what you think the dream – vision – whatever. was about.     You’re good at these things.”

“I think it was about too much happy cake.”

“Mel, serious, please?”

“Okay, okay.   There was a street, you said?”

“Yes, but on end.  I’m falling down it instead of walking.  The pavement’s vertical, and I fall into the sea at the bottom.”

“Was there anything else about it you remember?  Like the name on a shop, or something?

Peter searched his memory, “No, nothing.  It all happened too fast.   Vincent thought it might represent some sort of code, you know?  With the clock and everything?”

“I don’t see that.    I think it may be a series of clues.  Dreams draw on your experiences, don’t they?  Peter, try this.   Is there somewhere in your past – a place you visited that was so special…”

“…that I didn’t want to leave?   Like the West End, you mean?

“Right: London.  What made you think of that straightaway?”

“Dunno.  I sometimes remember it.  Kensington; went there with olds when I was, like, five or something.   Wicked day.   We did the Natural History museum.   Tiny kid, big skeletons; I was well impressed.”

“You didn’t want to come home?”  Melanie asked.

“No.  I wanted to stay longer, but you know my dad, he’s time-obsessed.   He kept lantering on about missing the train….Oh shit, the clock sloshing around!”

Melanie was triumphant,  “Yep.  Your dad is the clock, and the large place is one of those museums, or maybe just London.   Now, the street; are we looking at this the wrong way round….can u remember falling down, or anything?

“What,  on that trip?  No.”

“Ha ha.  Or panicking?   Did anything make you frightened?   You were only five.”

Peter shook his head, “I don’t think so.”

Melanie sighed,  “Well, we’ve got London, anyway.   Where else did you go, do you remember?”

“Not really.   I mean, we probably did the tourist places, like the Tower and things, but I don’t think they mean anything.”

“Explain?”

“\I can’t, honestly.  I just think that this – whatever it is – I’m supposed to be seeing, should kind of stand out, u know?  Like really obvious, if you know what I mean.    Thing is, Vincent made it sound so urgent and important; I feel like I’m letting him down, yeah?”

Melanie made a face.  “I think he needs a big slap, giving you puff and putting you in this position.    I’ll keep working on it, but I can’t think of anything else right now.  Tell him London.  Maybe that’ll help?     See you at coll tomorrow, if you’re coming, that is.”

“Sarcasm  now!   Yep, I’m coming.  Come round here, if you got time, we’ll go in together.”

“Half-eight then.  ‘Night babes.”

“Mel?”

“Yeah, what?”

“I should have said something to Alice.”

“Like what?”

“Dunno.  Just something.”

Peter closed his call with Melanie before he tapped out Vince’s number.

#

Alice was at home in her Lancaster Gate apartment when Vincent called:

“It’s London.”   His voice said.

Alice was not feeling charitable.  “Great!”   She growled:   “That’s just great!    That narrows it down a lot!”

“Alright, alright!  We still have four possible days when this could happen, don’t we?    Give the lad time, Al.”

“No time.” Alice told him, with resignation in her voice.   “If – and I do say ‘if’ because I don’t believe this whole cockamamie thing with visions and stuff anyway – if it is London it’s going to happen in the next eighteen hours, because tomorrow night the whole circus is moving on to Manchester, then Newcastle.  It flies out from Newcastle on Friday, doesn’t return to London; and I’m not supposed to be telling you this oh Jesus what’s the matter with me!!  We don’t have any time at all, Vince!”

“Well, do you know the itinerary for tomorrow?  That might help a bit, yeah?”

“Yes, I do.   And no, I can’t tell you, because that’s top secret.   You know we aren’t disclosing any details of his schedule.  I’ve already said far too much.”

“I’m not a bleedin’ spy!”

“If this goes belly up you might as well be!  If they discover I’ve been feeding you information the Court’s ‘ll mince us, Vincent. So you’d better pretend you don’t know me for a while, okay?”

#

Salaiman Yahedi rose early as a matter of habit.    Six o’clock was, for him, the best time of the day.   When he strolled in the Park,  joggers, deliverers and carriers, all with a head-down purpose of their own, would scarcely notice him.   If he now and then acknowledged a stranger as they passed, there was no inquisitiveness on either’s part:  no-one studied faces; no-one noted, specifically no-one noticed him.  Yahedi was an expert at these things.  Salaiman Yahedi, who was wanted in almost every country in the western world, might, you would have thought, have been happier in the crowd, losing himself in a host of faces, but no: he preferred the few to the many, the early-morning people who were lost in their own world as much as he was lost in his.

Those who placed barriers for an event later that day were not security men, they were just workmen with barriers.   They had no interest in who was around, who might be attending to the detail of their work.   So Yahedi was able to wipe the dew from a bench and sit watching them for a while, just casually.  None but the most discerning could have seen that, whilst he sat there, he was sizing up the relationship between those barriers and a certain window on the third floor of a prestige hotel across Park Lane.   No-one else could see (for Salaiman was satisfied that he himself could not) the small, circular hole he had so painstakingly incised in all three layers of glazing in that window; working for hours into the previous night.

Yahedi relaxed, enjoying the morning.    There was no smell quite like that of English grass before the day had bullied and bruised it.  It offered some compensation for the eternally low temperatures, the ever- present threat of rain.   Curious, though, that on a morning so fine there should be flocks of seagulls as far inland as the Capital: he assumed the weather on the coast must be less kind.  Salaiman amused himself as he watched their wheeling, spiralling flight for a while, before he returned to his hotel for breakfast.  His day’s work would not begin for a couple of hours yet.  He stood up, preparing to do battle crossing an already busy Park Lane, and in a moment’s carelessness nearly collided with a woman in a red tracksuit who was jogging past.

“I am very sorry, excuse me!”   He apologised.

“It’s okay.” The woman seemed preoccupied, troubled.  As she ran on, Yahedi watched her retreating back thinking how beautiful she was, so tall and with such a shock of black hair, and how he would relish practising his very specific arts upon her.   Some would always escape.  There was nothing he could do; unless, of course, they should run across each other again….

© Frederick Anderson 2021.  Unauthorized use and/or duplication of this material without express and written permission from the author is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Frederick Anderson with specific direction to the original content.

Header Image: Stefan Keller from Pixabay

Dinosaur: Harald Matern from Pixabay

Gift Wrapped.

This is a tribute.  Whatever damage to our health this black COVID comedy has visited upon us, its most permanent effect has been the demise of our traditional way of shopping.  Although our physical wellbeing will return, we are witnessing the final decline of the Mall, the Department Store, the High Street retailer.  

So, a little piece from Christmas past, and maybe an expression of sorrow for things lost; things we’ll miss in the online society of years to come…

“Gif’ wrapped?”

She is in her fifties, piped into the store’s idea of what a woman should wear in her thirties if she were a size 12. She is not a size twelve.

Plastic smile.  “Would’y’like to include-a-message?”

“Sorry?”

“Message.  Would’y’l….”

“Oh!  Sorry.  No thanks.”

The boxed perfume and cologne upon which I have just expended next month’s rent lies before me on the counter.  As enemies go it is already vanquished – its acetate window a little clouded, a little wrinkled, its cardboard colours brash.  Defiant, but defeated.  It is nothing like the resplendent offering that I selected from the brightly-lit glass case.   A cell-phone begins to play something Bieber.   The woman stifles it at the third chord.

“Yeah? Did he?  Oh, right, and he….”

A miracle happens.  Cell tucked against shoulder, bright paper from somewhere.

“Silver or gold?”

“Erm, silver?”

My perfume gift is interred in a whirl of glitzy paper.

“Well, it’s not my fault, I tried!”  The woman tells the ‘phone.  “No, not tonight.  I’m goin’ t’ Freddy’s.  I said.”

Ribbon shoots from somewhere far beneath, not one but two strips.  She holds them up for my approval, her face a mirror of enquiry.  I am being asked to select a colour.  The ‘phone is squawking angrily.  

I point at red.  

“Its no good him prattin’ on.  I said last night I wasn’t goin’.”  From furious to obsequious.  “Yes, madam?”

She has a customer enquiry further along the counter.  I expect her to move away but no, the miracle is still happening.   My gift is wrapped neatly in silver, a red ribbon is flying around it.

“Those are really more for the older man, I think.  Hav’y’thought of Hugo Boss?”  And to the ‘phone:  “Well he knows where he can put it, doesn’ee?”

Ribbon in a tight binding, scissors from treasure-house  below, their point stripping through the loose ends, reducing them to tight curls.  Gum, glitter.  To the new customer:  “He’ll really go for that one, I should think.  What about the cologne?”

To me:  “Seventy-Nine pounds, dear.  Cash or card?”

I never hear the end of the conversation.  I am dispatched, processed, a satisfied customer.  My gift cradled in my respectful grasp, my work of art, my Lichtenstein in silver created by the hand (well, one hand) of an anonymous woman whose work should surely be exhibited somewhere more prominent than my humble Christmas tree.

At home I contemplate the bottle of single malt that I shall gift to Uncle Bill with naked fear.  They stretch out before me – the paper, the scissors that will never cut it in a straight line, the sellotape which has no distinguishable end; the instruments that are the true hell of Christmas.  Grimly, but with determination, I down a third gin and fit the scissors around my fingers.

My wife comes in from work at six o’clock.  “The neighbours are complaining,”  she says,  “about you shouting again.”  She sees the broken glass and the splash of gin on the wall. “Have you been throwing things?”

“It was an accident.”  I tell her.  “Me, shouting?  No, must have been number fifty-eight.”

“What on earth is that?”  She has spotted Uncle Bill’s wrapped bottle of single malt.  “It looks like a traffic accident.”

I come clean.  What else can I do?  At least in my long-sleeved jumper she cannot see the scars where I finally turned the scissors on myself.

“Well you do your best and it is the season of good will!”  My wife says charitably.  “I hope you haven’t bought me perfume again.”

Today, when the thoroughfare should be brimming with supplicants to the Great God of Consumerism, scarcely a foot is heard to fall.  Brightly lit windows flicker code to each other across empty streets – gone the street markets; still-born the Santa Claus parades, the rattling strings of coloured lights that echo in a rain-rich wind.

Not once have I ventured out to make my contribution to those echoes. My Christmas is already shopped – day after day parcels to be gifted trickle to my door, from Amazon, from Etsy people, from emporia I have only seen on my monitor and whose threshold I shall never need to cross.   

One hellish prospect remains, however:  the paper, the sellotape, the scissors that won’t cut straight sit waiting and I know my skills have not improved!   If I was briefly the acquaintance of a lady, a true artist, and if she should remember how she wrapped some perfume for me once?  If she should by any chance be reading this, and be in need of some libation, maybe a mince pie or two as reward for a small service, I can assure her of a welcome at my door…

Christmas Comes but Once a Year…

and when it comes it lasts three months.

All September it lurks in the shadows, fearful, almost, to show its face.   Advertising suggests delicately that if we want to avail ourselves of any pre-Christmas bargains, now is the time.  Those sharpest of eye might catch a glimpse of the advertisers ‘campaign animations limbering up in the wings; a cute little dragon, a charismatic cat, a carrot…a carrot?

Down in their dark fetid dungeons union convenors are preparing their respective marches to personal glory, competing with each other for the best headline, the direst threat.  They are eager to let you know either their members get their twenty-five percent pay increase or you’ll spend your Christmas in airline departures, or waiting on the station platform, or…

October, and the carrot is christened Kevin!  In despair of getting a flight or a train, you learn the ferries are likely to be on strike, and France has downed tools until the New Year.  You decide your best option will be to celebrate closer to home, so you attempt to book a Christmas break at a hotel.   The sound of derisive laughter on the ‘phone is not pleasant.  Now if you’d booked in July

As October spills over into November you notice how wolves are beginning to gather around street corners, taking experimental nips at the heels of more harassed-looking shoppers as they struggle beneath their panniers of expensive toys.   Throwing up the barricades you elect to have a traditional Christmas, and the die is cast.   The following day is the optimum time for news of shortages:  shortages of turkeys, shortages of Brussels sprouts, et al.

November into December and out there in tele-ad world personalities have slimmed themselves to wafer elegance.  Luxury baths, swimming pools and tropical beaches await their perfumed presence   – why do advertisements for perfumes always involve so much water?  The scent would wash off, surely?  Kevin the Carrot now has a circle of friends, including a love interest and a middle-aged pop idol.  The cute little dragon no longer breathes fire on everything, but is reduced to gazing longingly at various ‘special offers’ – including a mobile phone.  What’s a dragon going to do with a mobile phone?  He looks rather sad, and lost.

The wolves are fiercer by far.  You can barely elbow your way into Marks and Spencers, and the smell of hot plastic at the Supermarket is all but intolerable.  By the end of the third Black Friday in a row and just before the last Cyber Monday you will have realized the goods you were counseled to buy in September are now on sale fifty percent cheaper than the price you paid.  This is the time to remember the smug look you gave your neighbor as you told her you ‘had all your Christmas shopping done’ and how she confessed she’d ‘done nothing yet’.

Personally, I try to regard Christmas Day as a period for quiet reflection, so to speak; the eye of the hurricane.  It is a time for families to be together, discussing their issues openly.  Last year, for example, Cousin Hubert chose the occasion to ‘come out’ (we all had to try and look surprised – we’ve known for years) and once explanations have been offered to children why the expensive games console they have been given is obviously totally the wrong games console and apologies offered for our hopeless present buying there is an opportunity to relax, indulging fond memories of times past.  On this one day of the year, at least, we are given the chance to watch once more movies the entire cast of which have been dead for half a century (which helps).

And then, quite suddenly, January will dawn and it will all be over.   The world will return to work, which should be a relief if only the banking community could remain on holiday, but alas, no.

The credit card statements will hit the doormat, delivered personally by the most insistent of the wolves.  They will be transferred from doormat to desk, where they will sit unopened and we shall try to stare them out for maybe a week, then bury them under other ‘more urgent business’ for a further two.  All the while the wolves will be ranging around our door, scratching and baying, until at last, unable to outface them any longer, we pick up the paper-knife.

Bad?  Not too bad.  We should have paid it all off by next September.

Happy Christmas, everybody, and a stonking New Year!