I wrote this originally in 2012. It’s is a long one, so I hope you will enjoy it.
NB. This story was not included in my volume of short stories, ‘Black Crow Speaks’, the icon for which is showing on the right-hand side of this page. Why not click through to Kindle to see the contents list and the full array of those that were?
Delphinia Morgan-Jett was mildly vexed, which would explain her tone as she reached the top of a call centre staircase of numbers and a real voice enquired thinly:
“Can I help you?”
“He is there again.”
A pause at the end of the line: “I’m sorry. Who, exactly?”
Mrs Morgan-Jett tutted dangerously. Acquaintances feared that ‘tut’ as a postman might fear a Dobermann’s snarl. “Young man; it is not my habit to repeat myself. I have telephoned concerning this vagrant at least a dozen times. Kindly deal with it.”
“Ah.” The thin voice took on a deeper timbre of understanding. “You’re Mrs…” – a further pause – “Morgan, that right?”
“Yeah, whatever. And this is about the bloke on the corner of Christminster Avenue – him with the brolly? So he’s there again, then?”
“Was that not the substance of my initial remark?”
“Right. Look, Mrs Morgan, is he is actually committing any offence? I mean, is he doing anyone any harm?”
“He is loitering; he is a vagrant. He is unpleasant and he is causing an obstruction!” Delphinia Morgan-Jett was as close to seething as she could ever become. “See to it that he is removed immediately!”
Sighing, the thin voice capitulated. “We’ll get someone sent round.”
Delphinia’s “Please do.” fell on the deaf ears of disconnection. She carefully wiped her finger-marks from the white plastic of her ‘phone, then, morning sherry clipped between index and thumb, crossed to her ‘bureau’ window; one of two deep casements that overlooked Christminster Avenue.
This view, unchanging with the years, so appealed to Mrs Morgan-Jett’s sense of order and place that she often spent her morning seated here before her desk. The building facing her on the other side of Christminster Avenue was identical in almost every respect to hers: a uniformity applied to a whole succession of avenues; rows of residential buildings, their stone five-step approaches leading up to polished wooden doors, their dignified porches spoiled only by security buzzers stacked on discreet panels behind an outer arch. There were few such concessions to modernity – a deli in the basement of number fifty-two that struggled for survival, and the intervention of parking meters which, of course, brought the curse of the motor car – impatient growls and grunts, the bawling of ill-disciplined children desperate for all the things children were always desperate for: toys, sweets, ice-cream, toilets, the sea.
In rare moments of tolerance, Delphinia might be forced to admit she found music in those discordant street noises. Sometimes in early morning as she surveyed the deserted road from her high place she looked forward to the business of the day to come, because, for all its cacophony of sound it made a pleasing counterpoint to the draughtsman-like severity of those Georgian architectural lines.
Delphinia’s building, number three on the east side of the avenue, placed her close enough to the seaward end to permit a corner of aquatic blue in her otherwise urban prospect while sparing her the vulgarity of the Esplanade and the full effect of the elements when winter came. The sea started where the Esplanade stopped. At high tide on occasional nightmare days angry waves broke right across the Esplanade, even reaching as far as the traffic lights at the end of Christminster Avenue, where the two roads met. Those traffic lights, now busy with morning traffic, were the focus of Delphinia’s annoyance.
He was there again.
Tall and hunched beneath a voluminous beige mackintosh reaching nearly to his ankles, with a deerstalker jammed firmly over his long grey locks, thick horn-rimmed spectacles and a smothering brown scarf, this pedestrian was glaringly noticeable. If anything could add to his ostentatious oddness, it was supplied by the picnic basket which he set carefully down at the corner of the street, and the large, folded, red and yellow golf umbrella he carried in his hand. Ignoring the attention of bemused passers-by, he opened the basket to extract a thermos flask from which he poured himself a generous measure of tea. Then he sat down atop his basket to drink.
Delphinia watched this performance with distaste. She had been compelled to follow the creature’s routine step by practised step, many times. First, he finished his tea, then packed away his thermos and its cup. Next he raised himself to his full height, drew his shabby coat about him, and stepped to the kerb at the very corner of the road.
What ensued was, depending upon perspective, either balletically comical or profoundly irritating. Delphinia’s vagrant raised a commanding hand to the car nearest to him and stood in front of it. Oblivious to a squeal of brakes, he turned his back upon its aghast driver to strut to the centre of the road junction where, with sweeping gestures from his furled brolly, he made it clear to the traffic on the Esplanade that he wished it to proceed. He stood making these arms-length gyrations for some time – long enough to attract a rising chorus of horn-blasting protestation from a growing queue on Christminster Avenue – before motioning the Esplanade traffic to stop, and beckoning to those waiting in Christminster Avenue.
No matter his actions were reminiscent of a graceful dance: or the order he imposed had a logic of its own, for his directions bore no relation at all to the sequence of the traffic lights. It is difficult to overstate the importance of this reservation, given that when the lights favoured a certain stream of traffic he would almost always be in its way, and that after a while certain of the motorists under his influence started to obey him rather than the legal control. The overall outcome was chaos.
This Delphinia witnessed with her accustomed fascination. She quite forgot her intention to time the arrival of the authorities, waiting as she was for a grinding of metal and stream of obscenities which she was sure must come, but which somehow never did. Those whose view was closer to events seemed to regard the man with humour and even booed when a harassed-looking policeman in a van turned up.
Normally at this stage of events the man would succumb to a few words of wisdom from a representative of the law and allow himself to be led away: normally, but not today. He snarled his dissent; he wrapped his arms around the pillar of the traffic lights on Delphinia’s corner, and – she must have imagined it – he looked directly up at her; looked her straight in the eyes!
Delphinia took an instinctive backward step. Those eyes had found her so quickly they must have known she was watching! Her curiosity sharpened by unwonted guilt, she moved into view once more. A policewoman had arrived to lend extra weight to the constabulary argument, a substantial presence in every way, but the umbrella man’s gaze was unswerving. He stared fixedly at Delphinia’s window with an expression that left no room for misunderstanding: he was seeking her help!
Delphinia made a decision – one which she would be unable to explain to anyone sensibly, and certainly not one she would have confessed to her cocktail evening friends. Snatching her coat from its stand in the hallway she hastened to the lift, and, finding it elsewhere, descended the stairs. Spry enough for one of her years, she had no problem reaching the street just at the point when the vagrant was being bundled unceremoniously into the policeman’s van.
“Just one minute! Officer, wait if you will, please?”
It was not a request. The policeman, whose day was already becoming something of a trial, glared towards the source of this imperious voice, his right hand still securely clamped to the umbrella man’s collar. He met the crystal stare of a woman accustomed to being obeyed.
“I shall take responsibility for this gentleman,” Delphinia clipped her consonants precisely. “You may deliver him into my care.”
“I’m delivering him to a nice comfy room in our detention suite.” The policeman responded, although not too brusquely. Delphinia’s upright bearing, immaculate coiffure and expensive burgundy suit flashed warnings he should not dismiss. Such attire was consistent with that of a councillor’s wife, or maybe a member of the Watch Committee.
The woman constable was more sympathetic: “Are you acquainted with this person, madam?”
“We received a complaint.” The policeman said. “We’ve had a number of complaints.”
“Yes, I know. I am the complainant.” Delphinia brushed this argument aside. “And now I’m telling you I will be responsible for this – this person. He will not repeat the offence.” She fixed the person with her coldest, most incisive stare. “You won’t, will you?”
The vagrant grinned three teeth from his top jaw, two from his lower jaw. “No! No offencing! No!”
The woman constable seemed puzzled. “You realise what you’re saying?”
“Of course I do. I’m not senile. You can release him into my charge!”
The two representatives of the law exchanged glances, and within their silent communication were all sorts of unsaid discussions about avoidance of paperwork and use of police time. “Well, chummy;” said the policeman. “It looks as if you’ve found yourself a friend.”
Delphinia waited patiently through a number of formalities. When they were concluded, and the police presence was receding in a fog of exhaust, she said: “Would you care for a cup of tea?”
The vagrant grinned those teeth again. “Yes;” He said in a surprisingly cultured voice. “Yes please!”
Throughout this process Delphinia Morgan-Jett had suppressed a desire to censure herself. Why, in heavens’ name, was she doing this? What was it about this eccentric man’s demeanour which drew her to him? Pillar of the community though she was, such acts of charity were completely foreign to her. As she guided the umbrella man to her front door, accompanied by muted applause from a small crowd, she wondered what insanities would visit her next?
“I am Delphinia. What is your name?”
“Tom. I’m Tom.”
In her hallway she persuaded Tom out of his deerstalker and coat, revealing an Arran sweater from better years and grey trousers that were possibly even older. Delphinia consigned the umbrella and box to a corner. “You were looking at me as though you recognise me – do you?”
“No. No, I don’t.” Tom said abruptly; then, in gentler tone: “These are nice.”
They were in the corridor which formed the spine of Delphinia’s apartment. Its walls were lined with oil paintings, detailed landscapes and character studies lyrical in colour and brilliantly executed. Their creator had a fine hand.
“Do you like them? My son was an artist. This apartment was his studio. He exhibited at the Royal Academy.”
“Yes. He adored the light; the reflections from the sea intensify it: it inspired him.”
They had reached the kitchen and Delphinia was filling a kettle. “He moved?” Tom asked. “Where’s he now?”
She did not answer at once. She busied herself preparing a teapot, arranging two bone china cups and saucers on a silver tray. “One’s children should survive one; that is what I do not understand. Life is as it is, I suppose.”
“An accident – a complete accident. In Rumania, of all places. It is a lot of years ago now.”
“You’ve got his paintings. You can remember him by them.”
Delphinia smiled sadly. “Yes, I have his paintings. Some of them, at least. Shall we take tea in the drawing room?”
Tom smiled sympathetically in return. “That would be nice.” He said.
They sat upon brocade upholstered chairs watching the sun’s patterned progress across the floor; and they sipped at tea from those fine china cups, regarding each other in comfortable silence. Tom, despite his somewhat unusual appearance, seemed to fit into Delphinia’s elegant backcloth in a way she would be at a loss to describe, but it was true she found solace in his presence.
“It’s a nice apartment,” He said. “You must have a lot of money.”
Delphinia gave a ghost of a smile: she never spoke of money. “I have enough.”
“That piano. That’s a nice piano.”
“It is a Beckstein. I believe Menhuin may have owned it once.”
“I do, but not habitually. My favoured instrument is the harp.”
“Harp, ah.” Tom nodded sagely. “Where’s the harp?”
“It’s downstairs – in another apartment.”
“Ah. You’ve lent it to somebody?”
“Goodness no! I would never dream…” Delphinia bit back on her words. She was going to castigate Tom for daring to imagine that an instrument so temperamental and so precious could ever be loaned to anyone! Tom, of course, could not be expected to know such things. “Harps are so sensitive to alterations in temperature or humidity, you see: they do not live fulfilling lives with people. I keep it in a separate apartment at exactly the atmosphere it requires for perfect tone.”
“So you’ve another apartment – like this – just for your harp?”
“Rather smaller actually. But yes.”
“I think you must be very rich,” Tom said. Then: “I’d like to see it.”
Delphinia responded with another of her faintly patronising smiles. “Perhaps another time?” She said.
“I’d better be going.” Tom suggested.
“Yes, of course. Shall I arrange for a taxi? Where do you live?”
Tom demurred. “I Don’t get on with taxis.”
So, by fits and starts, began the most unlikely of friendships, a connection the existence of which neither party would accept, yet existed nonetheless. Now, whenever Tom appeared with his traffic director’s accoutrement at the corner of Christminster Street Delphinia would hasten downstairs to ply him with tea, and Tom would accept, staying long into the morning in that warm, comfortable drawing room. As time passed he pursued his role as traffic controller less and less: instead, he would often arrive at her door, standing upon the threshold, his liberally greased hair plastered to his head with mathematical precision. One morning Delphinia showed Tom a very special room, behind a door at the end of her apartment.
“This is something of a shrine,” She said. “It’s rather dusty, I’m afraid.”
It was a large, well-illuminated space, and around walls which had once been cream in colour were stacked canvases – hundreds of them. Artwork was visible on some, not on others: completed pictures against primed but naked canvasses, sketches against half-finished works. Tom stood amazed, his eyes drinking in the profusion of colour and form.
“His studio.” He breathed.
“His studio, yes.” Delphinia did not mention that the contents of that room alone included thirty completed canvases, or that her son’s work, if an example ever reached the market, could command sums in excess of two hundred thousand pounds. She lacked that much trust in Tom, at least for now.
Tom said the right thing. “You must be very proud of him.” He said.
Delphinia beamed. “Yes, Tom. I believe I am.”
The summer passed. Tom came for tea once, twice, three times a week; and during those visits little was said, but much implied. Upon one occasion Delphinia played a Chopin prelude on the Beckstein and Tom sat in a reverie so deep he seemed to be almost sleeping.
Then came a day in autumn when Delphinia, having passed a morning shopping, took her usual taxi home from the town centre. She had taken advantage of the best of the day, for the last hour of fading daylight, which had been warning of things to come, was fulfilling its promise. Rain hammered upon the taxi roof, bounced from the pavements. Caught on the street, soaked pedestrians dashed or cringed beneath umbrellas, frozen moments of their discomfort brought into transplendent relief by sheets of lightning. There was a queue of traffic building at the corner of Praed Street. Delphinia’s driver muttered something.
“I beg your pardon?” She enquired.
“I said, oh no not him again.” The taxi driver repeated, “He needs sorting out, this one.”
Suspicion darker than raincloud filled Delphinia’s mind. She strained her eyes against the gloom. The arc of colour described by a golfing umbrella was unmistakeable. “Tom!” She sighed. “Is he often here?”
“Know him, do you? Lately, yes missus. He used to be down your way, didn’t he – Christminster Street? He’ll get himself arrested again, for sure. A copper mate of mine reckons if they catch him again they’re going to get him sectioned: you know, put away? ‘Bout time, too.”
“Pick me up again at the lights, if I don’t come back to you.” Delphinia instructed. Once again in Tom’s case, she would act without thought for the consequences. Fortunately she had the foresight to pack a brolly in her bag that morning, so she would avoid the full punishment of the elements, but the angry tea-tray shatter of thunder was warning enough as she hastened down the pavement to where Tom’s elegant ballet played to an unappreciative audience.
“Tom! Come out of the road at once!”
Either ignored or unheard, she watched anxiously as Tom guided an ensnared car deeper into his trap. Sirens whined in the distance. The sound galvanised Delphinia into action and a determined Delphinia was not to be ignored, certainly not to be disobeyed. She snatched Tom’s arm in a commanding grip, plucking him from the traffic and virtually frog-marching him, together with his picnic basket, back to her taxi. The driver looked doubtful.
“He’s a tramp! I don’t want him in my cab.”
Delphinia was in no mood to be diplomatic. “He’s my guest, and I insist upon it. Who should I report you to?”
Mouthing darkly, the cabby conceded. “Keep him quiet. I don’t want no trouble with the law.”
Outside, sirens were evolving into blue flashing lights. A quick-thinking Delphinia thrust Tom’s signature brolly out of sight on the cab floor. “Now remove that ridiculous hat! It’s soaked anyway.”
To clear the pandemonium Tom had created took a little while, during which he twice tried to exit the cab and offer his assistance, each time to be restrained by Delphinia’s surprising strength. Eventually the threat of police detention was behind them and the taxi got under way.
“Where do you live?” Delphinia had never asked Tom this question before.
“Oh, not near here.” Tom replied.
“He don’t live nowhere.” The taxi driver had overheard. “He gets into hostels from time to time, but mostly he sleeps rough down by the stock sheds, don’t you, mate?”
Tom said nothing. Delphinia scowled. “Is this true?” Tom said nothing. “Very well. Take us to Christminster Avenue, driver.”
For once, Delphinia was disposed to tip heavily. As he unloaded her bags, the cabby warned: “Don’t you let him take advantage of you, lady. Be careful, alright?”
It was well-meant, but ill-received. “My good man;” Delphinia snapped back; “do I look as if I am to be taken advantage of?”
By the time Tom had helped her to and from the lift with her bags, and she had helped him out of his dripping mackintosh, Delphinia had come to a decision.
“I have ample room. You must stay here, with me.”
Thus her relationship with Tom entered a new phase. She never once questioned the motives which led her to buy him clothes, cook meals for him, or use all her powers of persuasion when he seemed disposed to return to his former traffic-organising life. Although with time he became a trifle more erudite, they conversed very little. It was as if she had found a role she was always meant to play; and whether memories of her deceased son had a part, or if she was motivated simply by loneliness, was a matter for others to question, not her.
Others did, of course. Her friends were slow to accept the apparently retarded man with his unruly appearance. Many stayed away, a few became true confidantes: interested in Tom, concerned about his life, concerned, too, for Delphinia.
Tom kept pace with change without effort or eloquence. He seemed to move easily whichever way the wind blew and always ended up ahead of events; untouched by them and splendidly untouchable. The taxi-driver’s warning had been needless: although he accepted kindness when it was offered, Tom never sought favours or money. For large measures of his time he sought nothing at all: he could be happy for hours just sitting on the edge of his bed staring at the wall, or in Delphinia’s drawing room gazing out upon the Avenue and its peepshow of the sea. There was only one request he had to make, one which took a month of agonising to put into words.
“The harp. I want to hear you play.”
Delphinia looked into the eyes of her sanguine companion, who even in the most expensive clothes managed to look ill-arranged and dishevelled, and sighed. “Very well.” She agreed. “This afternoon.”
Several locks defended Apartment 3A, each of which Delphinia opened, using keys from two separate rings. She led Tom inside: “I had this temperature and humidity control system fitted,” She explained, indicating a control panel in the lobby. “Come through.”
A plain panelled door opened upon a light and airy room. Thin hessian matted the floor, mint-coloured walls were hung with further examples of her deceased son’s exemplary art. An intricate plaster frieze ran around the room at cornice height: a crystal glass chandelier hung from a rose of immaculate design in a white plaster ceiling.
“My builder – Mr. Baxter – worked wonders: he disguised the soundproofing so effectively one would hardly believe it was there. The acoustics leave a little to be desired, I’m afraid, but still… Won’t you sit down?”
An accommodating blue sofa beneath a shaded window suggested itself, but Tom had missed Delphinia’s invitation, for his eyes were devouring the room’s centrepiece – a harp, tall and serene.
Delphinia saw the enthusiasm in Tom’s gaze. “American, a Lyon and Healy.” She took his arm gently. “Sit down, won’t you? I will play for you.”
Only when she sat, drawing the knee of her instrument to her shoulder did the import of this moment dawn upon Delphinia. For so many years she had played her music alone here, in this soundproofed, closeted space. No-one had heard, no-one had seen until now, and all at once an auditorium of years ago yawned dark and deep before her, the sounds of settling people, the suppressed coughs, the murmured words that always followed that first, polite applause, returned to her. She played. She played as she always did, her head lost inside the song, her eyes closed to all but the fleeting touch of the strings.
And Tom? He listened in his own private rapture, solemn and deep, letting the sweet, quiet insinuation of harp music envelop him like a warm blanket. Kessner, Parry and Pachelbel flowed over him as gently as sleep. He did not know for how long she played, or the titles to all of the pieces he heard, although he knew many. He only knew he was in the presence of hands of faultless eloquence. He did not want it to end.
“Yes, I was a soloist, many years ago.” Delphinia admitted as they ascended the stairs. “When my husband was alive we travelled frequently, so it was not possible to pursue a career. I was forced to give up eventually.”
“But you kept your harp.”
“Yes, I kept my harp.”
“You should go back to it again. You play very well.”
Delphinia laughed a little musical laugh she had been cultivating of late. “Oh, Tom, one can’t simply ‘go back’. Anyway my dear, I’m too old. I like to practice, though. I enjoy the discipline.”
True friends who remained in Delphinia’s circle noticed a new intimacy in her manner, a softening of the autocratic glare. She seemed well, she seemed happier. This was attributed to Tom’s influence and by some to a very much closer relationship than was the case. If Delphinia got to hear of this version she did not show it or resent it; and Tom? Resentment was not part of Tom’s makeup.
Over years fast friendships must inevitably spawn a form of love. More unlikely companions would be hard to find, yet Delphinia opened her life to this rumpled man, and he responded with unique sensitivity. The balance between them was perfect; so much so that those around them quickly forgot Tom’s dubious past. Delphinia quietly sequestered his golf umbrella and his picnic basket, hiding them from view. When he discovered their absence, Tom paced the corridor mouthing his distress for a while, but he did not otherwise complain.
On a morning just before Christmas of their first year together, Delphinia’s brother and his family appeared bearing gifts. Geraint Morgan eyed Tom up and down.
“Who is he?” He demanded. “What’s he doing here?”
Delphinia’s response was icily controlled. “Tom is my friend. He is here by my invitation.”
Tom ambled forward with his best attempt at a smile much improved by Delphinia’s insistence that he visit a dentist, offering his hand. Morgan deliberately ignored it. “It’s strange time of day for him to be visiting, isn’t it?” He said.
“Tom isn’t visiting. He is my companion. He lives here.”
Rachel Morgan made her first contribution to the conversation, in the form of a derisive snort.
“Well!” Said Geraint: “Whatever would Robertson think of this?”
Delphinia pursed her lips: “It has been many years now, Geraint. If he was here, though, I believe he would thoroughly approve.” The reference to Robertson Jett, her deceased husband, made her bridle. “My decisions and actions are scarcely your affair, now are they?”
“We want to see you kept safe;” Rachel chipped in. “We don’t want you taken advantage of by some dirty old man.”
“Tom is neither dirty nor particularly old!” Delphinia snapped back. “And I insist you stop referring to him as if he was not in the room!”
The visit was as brief as it was acrimonious. Tom retired discreetly, only re-emerging after they had left.
“Don’t concern yourself, Tom.” Delphinia soothed him. “My brother’s family always rather lacked the social graces. They come once a year; I never hear from them otherwise.” She unwrapped the present Rachel had thrust into her hand and stared at it disparagingly. It was a book. “I find this woman such an uninspiring author. Do consign it to the kitchen waste, there’s a dear, will you?”
The following morning Delphinia found a policewoman standing at her door. Geraint Morgan had voiced his suspicion that ‘a helpless old lady was being victimised by a confidence trickster’, and although she was quickly able to allay those fears she took heed of the warning Geraint’s behaviour implied. She went to see her solicitor.
For five years Tom and Delphinia pursued an idyllic existence, he a devoted audience for her playing whether upon the piano or the harp, she often bemused, sometimes amused, but always stimulated by his stilted conversation, his unpredictable ‘ways’. Theirs was a very private life, one in which they rarely ventured out beyond the usual demands of shopping or a limited social round, though exceptionally in their second summer they spent a month in France, renting a small house Delphinia had visited in her younger days. But she fretted when she was deprived of her instruments and Tom understood this better than any.
To all things must be an end, and the end came to Delphinia one spring morning. Sitting opposite Tom at the breakfast table with a soft sun shining in at the window she suddenly leaned towards him:
“Dearest Tom…” She began, trying to utter a sentence she would never complete.
A stroke. That was the doctor’s verdict, when Tom found the presence of mind to call him. Mercifully quick, was his medical opinion – she would have known very little about it. Tom, he had his own opinion, and he grieved for Delphinia in his own, very silent way. Then he went and recovered his box and his brolly (he had always known where Delphinia had hidden them) and he made for the door.
Cynthia Braithwaite met him on the stair. Cynthia was Delphinia’s most intimate acquaintance outside her companionship with Tom, and she had readily agreed to take care of him if anything happened to her. Tom was not to become homeless; he was to continue to live as the new tenant in Delphinia’s apartment, on condition he looked after her harp. In the events that followed, Cynthia honoured her promise.
At the funeral (he was the only one of the solemn gathering to be kept dry by a brightly coloured umbrella) Tom wept; and at the reading of the will he showed very little emotion when he learned he was Delphinia’s principal beneficiary. An annual income in trust and tenure of the apartment for life, with an additional allowance for the harp. Cynthia was bequeathed twenty thousand pounds as a remembrance of her friendship and ‘patience with a cranky old woman’. The Morgans were left three paintings of her son’s collection; they were to be allowed to choose which three.
The Morgans were outraged, of course, because they had seen the entire inheritance as rightfully theirs, and Tom had, in their view, stolen it from under their noses. Without Cynthia’s Rottweiler-like tenacity Tom might still have been legally bullied out of his entitlement, but with her help he stood firm and survived the legal challenges which followed.
Finally, there came a day when Geraint and Rachel Morgan arrived at the apartment to select their choice of canvases. Cynthia met them at the door and Tom was nowhere to be seen, but as they examined the pictures on the passage wall the gentle strains of the Leibestraum wafted out to them from the drawing room. So well-known a piece might have passed them by, yet it had a divinity even they could not ignore.
“That’s a fine recording.” Geraint commented. “Wonderful tonal quality. Who is the artist, do you know?”
Cynthia was standing at the end of the corridor, next to the kitchen door. “Yes, I do. This…” she waved towards a substantial canvas hung to take full advantage of the light; “…is his portrait. I think it’s a true Jett masterpiece. It captures a virtuoso at the height of his powers, don’t you agree?”
Geraint Morgan stared at the picture. Cynthia went on: “He would have been performing the Brandenburg at the Albert Hall that September: the end of a triumphant world tour. Then one day he just stood up and walked out of rehearsals. He was never seen again – a nervous breakdown, maybe? No-one knew. Delphinia was the only one who did, and she found out just a few weeks ago, going through the paintings in Clarence’s old studio. I’m sure she had a premonition.”
Rachel Morgan had joined her husband. She read the appellation at the foot of the work aloud: “Thomas Brabham DeVere, pianist. Oh my god! Isn’t that…?”
Geraint nodded. Wordlessly he walked back to the drawing room door and opened it. Tom looked up from the Beckstein, but he did not stop playing.
© Frederick Anderson 2014. Unauthorized use and/or duplication of this material without express and written permission from the author is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Frederick Anderson with specific direction to the original content.
Photo credit: Mabel Amber from Pixabay